Travel to Madagascar through Music

I just finished an amazing book about Madagascar ("The Eighth Continent" by Peter Tyson), and now I'm pumped to visit the island. Unfortunately, I can't just go gallavanting off to another country whenever wanderlust strikes. So instead of jumping on a plane, I'm taking a little trip to Madagascar through the music of the Malagasy people.

There's some amazing music made on the island, but it's frequently overlooked around the world. I know this article will only touch the surface of the music made in Madagascar (and to answer everyone's question, NO, I'm not including "I Like to Move it" from the movie "Madagascar". By the way, I just found out that "I Like to Move It" is sung by a certain Mr. Sacha Baron Cohen of Ali G and Borat fame. Freaky!) Hopefully, this sampling of foreign sounds will spur your appetite for world music.

Hazolahy is a "pop" band from Madagascar. You can download many of their songs at their website, and they're really gorgeous songs. I listened to "Sabarera" which is just an amazing song for sunny days. The drumming is exceptional and tight, and the melody is repetitive without becoming annoying. Very pretty! If you like world music, then you should certainly listen to Hazolahy.

Tarika is possibly the most globally popular of current Malagasy bands, and you can understand why when you listen to their album "Soul Makassar". Harmonies and a definite Asian/African feel which really mirrors the Malagasy culture. The musicianship on this album is very beautiful, and the sound strikes a perfect balance, being neither over-produced nor under-produced. Since very little of the Tarika catalogue is widely available, I would recommend finding "Soul Makassar" as soon as you can. It's on iTunes!

Vaovy has an undeniably strong sound on their album "Vamba", which is recorded beautifully. Strikingly reminiscent of creole on the song "Vamba", which is heavy with harmonica and accordion sound, the band expresses its musical heritage while bringing to mind a world of musical influences. Equally striking and beautiful is the song "Ranobey" which has a violin playing the melody and a chorus of voices repeating the lyrics. "Ranobey", despite flying my ears to Madagascar, also reminds me of American bluegrass.

This is only a small sampling of the sounds of Madagascar! When you listen to this music, you feel a cultural bond, an overwhelming similarity of expression. We are all connected.

Raw Radio and Revolution

You've found an unusual treasure when you come across a band that sounds better live than they do recorded. State Radio happens to be just that kind of band. Luckily, these boys have finally made their great album - The Barn Sessions - an economical ten song masterpiece that includes all of their great songs in their original wonderful rawness.

Starting off with an obvious tribute to their reggae/ska revolution rock influences, "State I and I" sets the groove, while the vocals echo. State Radio follows "State I and I" with two of the most mosh-worthy tunes on their first album, Us Against the Crown. Fortunately, these songs are even more head-bangworthy than their counterparts (and, again that echo enhances the sound.) "Rushian" is one of my favorites off The Barn Sessions, because it translates with such pure live joy. "Camilo", on the other hand, feels passionate and painful. "Olli Olli" is the song that sounds most like Bad Brains and also, in my opinion, really showcases State Radio's talent.

I would never say that a song was missing from the collection, because the album plays so well, but the boys did decide to leave out my favorite song (after "Olli Olli") "Gunship Politico". This was really the song that made me love State Radio's music, and I'm not sure whether it's a good or bad thing that it was left off of The Barn Sessions. Besides the fact that the songs are played with more spirit on The Barn Sessions, the big difference between this new album and Us Against the Crown is the fact that every song on the new album could be a hit. Unlike Us Against The Crown, which called for a lot of song skipping, you can listen to The Barn Sessions all the way through without skipping a song and without any noticeable decline in song quality.

These boys have always had talent, and a revolutionary spirit that's at its strongest when they're banging out tunes for a live audience. Until State Radio plays a show in your town, The Barn Sessions is the closest to revolution that you're going to hear, and that's definitely not a bad thing.

If you want to catch a show, here are some State Radio dates:

04.18.07 Toad's Place New Haven CT
04.21.07 Trackside Teen Center Wilton CT
04.21.07 Green Apple Music & Arts Festival New York NY
04.26.07 Pearl Street Nightclub - Ballroom Northampton MA
04.27.07 Colgate University Hamilton NY
04.28.07 Avalon Boston MA
05.01.07 High Fidelity Rochester NY
05.02.07 The 8x10 Baltimore MD
05.04.07 Theatre of Living Arts Philadelphia PA
05.06.07 Bamboozle East Rutherford NJ
05.08.07 Cabaret Montreal QC
05.09.07 El Mocambo Toronto ON
05.11.07 Metro Chicago IL
05.12.07 Beachland Ballroom Cleveland OH
05.13.07 The Icon Buffalo NY
06.22.07 Hurricane Music Festival Scheessel Germany
06.23.07 Southside Festival Neuhausen Germany

So it goes.

Kurt Vonnegut has died at the age of 84. So it goes.

An anti-war activist, social prophet, poet, and a truly thoughtful person; a rare soul in today's world. I only recently finished Slaughter-House-Five, but that book affected me more powerfully than anything has for a long time. I'm trying not to be sad, because the man lives on in 84 years of moments and in the numerous books he wrote during his career.

Most importantly, I think we should take this moment to think about his principles and the point of his stories. Rabidly anti-war after witnessing the destruction of the Dresden fire-bombing at the end of WWII, Vonnegut's books questioned things we take for granted in society.

Why do we have to make bombs? Why do we have to make war? Let's think about these things before we dismiss them as inevitabilities of the human existence.

According to CNN.com, "there have been 3,558 coalition deaths...in the war in Iraq as of April 12th, 2007" (CNN Casualties in Iraq). That's at least 3,558 families directly affected by those deaths. So it goes. The number of civilian deaths are unclear, but UN estimates for 2006 alone were equal to a total of 34,452 people (UN Special Report) and the deaths per month are on the rise. Tens of thousands of families directly affected. So it goes.

Please join me in a moment of silence for ALL of these people.

Beyond this moment, let's hope that we can move forward, laugh at whatever adversity comes our way, and allow these deaths to affect our lives. Let's find our humanity. Laughing helps.


"And Lot's wife, of course, was told not to look back where all those people and their homes had been. But she did look back, and I love her for that, because it was so human. So she was turned to a pillar of salt. So it goes."
Kurt Vonnegut (1922 - 2007), Slaughter-House-Five

"Laughter and tears are both responses to frustration and exhaustion. I myself prefer to laugh, since there is less cleaning up to do afterward."
Kurt Vonnegut (1922 - 2007)


So it goes.

Jimi or John

I admit that I'm enamored with John Mayer. In my opinion, he's an incredibly talented boy who doesn't get enough credit as a musician. To prove my point, I want everyone to listen to Jimi Hendrix's "Little Wing" followed by John Mayer's "Bold As Love" from Continuum. I'm not saying that Mayer is Hendrix reincarnated, but you can feel that simmering guitar line and that blues influence in both songs. So what if Mayer makes popular music? Jimi Hendrix made popular music.

"...My red is so confident that he flashes trophies of war and
ribbons of euphoria
Orange is young, full of daring,
But very unsteady for the first go round
My yellow in this case is not so mellow
In fact I'm trying to say it's frigthened like me
And all these emotions of mine keep holding me from,
Giving my life to a rainbow like you
But, I'm, yeah, I'm bold as love..."
- John Mayer

Spring Songs

Here's a little playlist for ya'll! Some music that will get you into the happy spring mind-set that we all need right now. Everything will soon be green, and it will smell like spring. For now, you should be able to hear spring at the very least. While you're waiting for the flowers, listen to this music.

"Rainbowarriors" by CocoRosie. These gals are from France, and this song (off their new album, The Adventures of Ghosthorse and Stillborn) are pretty weird. There are some exotic beats surrounding unique vocals. Actually, the vocals remind me the most of a shy Lady Sovereign (an oxymoron, I know). It's difficult to explain what these women are doing with their sound, but I definitely enjoyed this song.

"Good Vibrations" by Gym Class Heroes. The Gym Class Heroes, besides having an awesome name, are talented boys. They had me jumping around on Valentine's Day with their hit, "Cupid's Chokehold". This song is a cover of the Beach Boys' hit, and they manage to cover the song in a way that does justice to the original, without being a blatant copy. The Heroes inject their own spunk into the mix, and it makes for easy breezy listening with an edge.

"Love Today" by Mika. Another highly successful iTunes add (I don't know how those guys do it, but they sure know how to market those iPods), this song is technolicious rock. I usually stear clear of electronic music, because I'm not a huge fan, but the intro captured my attention. Now I'm wondering if I'm the only person who hears the late great Freddy Mercury in Mika, and especially in "Love Today". A neat song that meets all of the spring ear-candy requirements.

"You Know I'm No Good" by Amy Winehouse. Amy can belt out vocals that are reminescent of some of the greatest soul divas, and she adds some smooth beats. Layering the horns and drums, this song captures the best of hip-hop, soul, and motown. It even has some pretty guitar playing. This song is awesome!

Spring on my friends!!

Activism in Action: Step It Up 2007!

As you all know, I get pretty into my causes. I'm a rebel girl ("she holds her head up so high!" -Bikini Kill), with a million different opinions and thoughts on the way the world could be better. Way back in 2005 (?) I wanted to attend the huge anti-war rally in D.C. Now, granted I first heard about this rally because I was on a Dead Kennedys streak at that point in time and I really wanted to see Jello Biafra, but I really am anti-war. Unfortunately, Boston's a bit far from D.C. and I know that that's true of quite a few places in the U.S. (it's a big country!)

That's why I think this new form of protest is so cool. It's called Step It Up 2007, it is the brain-child of Billy Mckibben, and it will be the most widespread Global Warming protest ever held in the U.S. By widespread, I mean gigantic. At this very moment there are 1215 actions that will take place in all 50 states!!! The rallies will be held on April 14th, and they should be excellent fun and educational (what a beautiful word.) Anyway, I'm pretty psyched for this National Day of Climate Action, and I hope you guys are too! For more information about the actual individual rallies, check out the Step It Up 2007! website.


"Be the change you want to see in the world." -Mahatma Gandhi

Miss Carlile, why are you so damn awesome?

I love every note of every song this woman sings. Brandi Carlile is amazing, and if you get a chance, you should listen to her new song "The Story". It starts off as a quiet tune, country-tinged, and then it spins into a full-blown storm of a rock song where Brandi belts like Janis. "The Story" is this week's free download on iTunes. Her new album is released on April 3rd, and I hope all of the tracks are as gorgeous as this first single.

Here's Carlile's touring schedule:

Mar 30 2007 6:00P Triple Door Seattle, Washington

Mar 30 2007 10:00P Triple Door Seattle, Washington

Mar 31 2007 7:00P Mississippi Studios Portland, Oregon

Mar 31 2007 10:00P Mississippi Studios Portland, Oregon

Apr 2 2007 7:30P Great American Music Hall San Francisco, California

Apr 3 2007 8:00P Troubadour West Hollywood, California

Apr 4 2007 10:30P Tonight Show with Jay Leno Los Angeles, California

Apr 6 2007 8:30P The Casbah San Diego, California

Apr 7 2007 7:00P Rialto Theatre Tucson, Arizona

Apr 10 2007 8:00P Bend Studio Dallas, Texas

Apr 11 2007 8:00P The Parish Austin, Texas

Apr 12 2007 8:00P University of Arkansas Chi Omega Greek Theater Fayetteville

Apr 13 2007 8:00P The Parish at House of Blues New Orleans, Louisiana

Apr 16 2007 7:00P Work Play Theater Birmingham, Alabama

Apr 17 2007 7:00P Belcourt Theatre Nashville, Tennessee

Apr 18 2007 8:00P Newby's Memphis, Tennessee

Apr 19 2007 7:00P Variety Playhouse Atlanta, Georgia

Apr 24 2007 8:00P Birchmere Alexandria, Virginia

Apr 25 2007 6:00P World Cafe Live Philadelphia, Pennsylvania

Apr 26 2007 8:00P Bowery Ballroom New York, New York

Apr 27 2007 8:00P Bowery Ballroom New York

Apr 27 2007 11:30P Late Show with Conan O'Brien New York, New York

Apr 28 2007 5:30P Iron Horse Music Hall Northampton, Massachusetts

Apr 30 2007 7:00P Recher Theater Towson, Maryland

May 2 2007 7:00P Higher Ground Showcase Lounge South Burlington, Vermont

May 4 2007 7:15P Music Hall Portsmouth, New Hampshire

May 5 2007 8:00P Paradise Rock Club Boston, Massachusetts

May 7 2007 8:00P Horseshoe Tavern Toronto, Ontario

May 8 2007 8:00P House of Blues Cambridge Room Cleveland, Ohio

May 9 2007 7:30P The Ark Ann Arbor, Michigan

May 11 2007 9:30P Schubas Chicago, Illinois

May 12 2007 9:30P Schubas Chicago, Illinois

May 13 2007 8:00P Schubas Chicago

May 15 2007 7:30P The Music Mill Indianapolis, Indiana

May 16 2007 7:00P Shank Hall Milwaukee, Wisconsin

May 18 2007 8:00P Varsity Theater Minneapolis, Minnesota

May 19 2007 8:00P Varsity Theater Minneapolis, Minnesota

May 22 2007 8:00P Fox Theatre Boulder, Colorado

May 23 2007 8:00P The Big Easy Boise, Idaho

May 24 2007 8:00P Big Easy Concert House Spokane, Washington

Why do music snobs get a bad name?

I don't understand why people hate us sooo much!!

This is a very funny site that everyone should check out: Urban Dictionary

Look up your town and anything else you'd like to laugh about!

SMALLVILLE

Besides absolutely loving Smallville, I also love a ton of the music they use in the soundtrack. Check out these mad selections:

"Save Me" by Remy Zero. The opening track that blasts into your brain. Remy Zero sounds like U2 in a tornado, and the lyrics are completely appropriate for Smallville, a show that follows the teenage years of America's most popular superhero.

"Love You Madly" by Cake. I'm a fan of these guys, because they make music that truly sounds like nothing else I've ever heard. This song is a swinging pop confection perfect for summer days.

"We're At the Top of the World" by Juliana Theory. These emo boys' only hit is a song filled with "sha la la las". Cute, but also pretty.

"Bid Day" by Puracane. This song is almost what you'd get if you mixed Dido and Mazzy Star with the Sneaker Pimps. Electronic, but smooth.

"No Such Thing" by John Mayer. My favorite Mayer song, and the major reason I continued listening to his music after the "Your Body Is A Wonderland" fiasco. I love the lyrics, and I love that he delivers them with sincerity. This should go on every high school soundtrack.

"Don't Ask Me" by Ok Go. Before these guys made it big with treadmills, they had this song. Saccharine and snarky, I love every minute of this music. Here's an example of some ridiculously fun lyrics:

"Quit acting so friendly.
Don't nod don't laugh all nicely.
Don't think you'll up-end me.
Don't sigh, don't sip your iced-tea.
And don't say, 'It's been a while...'
And don't flash that stupid smile.
Don't ask me how I've been."

" Here By My Side" by Steve Harris. Harris's voice is worn and sounds real over the jazzy music. I tend to enjoy vocals that sound like they're attached to someone who has lived a long life. This is a pretty song.

"Take Me Away" by Lifehouse. Lifehouse is a staple on Smallville, which makes sense because all of their songs are about connection. It doesn't matter if the lyrics are about their connection to other people or to God, because they can apply to both and mean a hell of a lot in either situation.

"In A Young Man's Mind" by the Mooney Suzuki. I love the Mooney Suzuki's garage rock. This song does double-duty of entertainng you and reminding you that in Smallville, Clark Kent is still just a teenage boy.

"Mad World" by Michael Andrew & Gary Jules. A quiet cover of the Tears for Fears hit from the '80s. I never really noticed the lyrics, until I hear this song which tones down the music and highlights the words. It's really sad and beautiful.

"Don't Dream It's Over" by Sixpence None the Richer. This is absolutely my favorite song by this band, and it's a cover. They do a really nice rendition, perfect for rainy day car-rides.

"The Scientist" by Coldplay. This is really the only song I enjoy by Coldplay. I've never bought into the hype surrounding this band, because I find most of their music boring. This song is the exception to the rule. The empty space around the piano is the nicest part of the song besides the lyrics. The music rings in the space between the piano and vocals.

"Diamonds and Guns" by the Transplants. The absolute best part of the Garnier Fructise (sp?) commercials, and the only song by the Transplants that I enjoy. Tim Armstrong really broke away from his Rancid ties on this track, while achieving something new and interesting.

"Swing, Swing" by the All-American Rejects. This song is the first emo crossover for those rejects. I love the music, despite myself.

"Better Days Will Come" by Tahiti 80. Another pop convection and high school celebration song. Why don't they play this stuff on pop radio? It's the kind of music that makes me happy.

"Meltdown" by Ash. I love this British rock band. Their music is catchy and pure rock fun. "I think my head, my head is gonna explode!"

"Finding Out True Love Is Blind" by Louis XIV. These one hit wonders burned up alternative rock radio in the summer of 2005 with this blistering track. Most of the track had to be bleeped out on the radio and it was STILL a hit. I love it, because it's ridiculous.

Going Out to the Country (Sorta)

I’m a fan of lap-steel, rebel-country swing, “Free Bird” style guitar ramblings, and mountain bluegrass jams. Like most of my musical favorites, my country music picks aren’t necessarily the most popular. Even when the music is made by popular bands, most people don’t admit listening to the songs I enjoy. I’m not a particular fan of Taylor Swift or Rascal Flatts, but I do enjoy the Old 97’s and the Dixie Chicks. I love the instrumentation, the careful guitar playing, and the lyrics (when they make sense.) Here are a few bands that use the country music influence to their advantage:

Great Lake Swimmers mix country music with soft-spoken folk vocals, and hit gold on their new release Ongiara. The first song “Your Rocky Spine” keeps a steady rhythm guitar going in the background while the melody dances all around. The lyrics are reminiscent of a less popular and less obvious “Your Body Is A Wonderland.” “Changing Colours” sounds like it’s sung by Mazzy Star and played smoothly like a lullaby. The oddest thing about Great Lake Swimmers is that they capture this country feeling from Toronto, Canada. But, I suppose their music isn’t really that odd when you remind yourself that Neil Young is from Canada.

Leroy Justice, isn’t a man with a ridiculously awesome name, it’s a band with ridiculously awesome music. They remind me of Johnny Lang mixed with an Apollo Sunshine that delves a little less in psychedelia. Their songs are all different, but the overall feel is one of joyous celebration in the face of pain. Yes, they get down blues style, but quite a bit of gospel is added into the bargain, and they swing like no other on the first half of their album (Revolution’s Son.) Of course, it all amalgamates into something newish and great to hear.

Check out these guys for now, and I’ll have more great music for you in the near future!!

I Feel Fine

Sometimes it’s okay to just feel okay. Life is not made of extremes alone. But I swear, by the time you finish this playlist you’ll feel awesome. Here are some songs for those transition days when you’re just not sure where you fit:

“Fear of Heights” by Apollo Sunshine. The band captures that feeling of transition from child to adult, and that balance you have to achieve in adulthood. What is maturity/adulthood, and as an adult when can you act like a child? Thoughtful and touching.

“I Feel Fine” by the Beatles. It speaks for itself, completely noncommittal.

“Watching the River Flow” by Bob Dylan. Very bluesy, but the narrator is fairly passive. He doesn’t know what he wants to say, he knows where he wants to be, but he’s just going to sit and watch because “this old river keeps on rolling, though. No matter what gets in the way and which way the wind does blow.”

“Keasbey Nights” by Catch 22. Remembering times that were not particularly happy, but still feeling nostalgic. I know the feeling. Old memories are comfortable, even if they are not particularly happy memories.

“Assholes” by The Damnwells. These guys seem somewhat resigned to the fact that “everybody grew up and turned into assholes”, but still bitter. This song is dead-on, I love the lyrics and the rebel-country swing. My favorite line is: “Is this what you call free? Is this why you keep bothering me?”

“The Long Way Around” by the Dixie Chicks. I didn’t like the Dixie Chicks until I heard their latest album. It moves beyond country music, and the lyrics are awesome. This song always makes me feel good. Someone else understands.

“(What’s So Funny ‘Bout) Peace, Love, and Understanding” by Elvis Costello. Can’t we all just get along? Everything doesn’t have to be a battle.

“Lullaby” by Jack Johnson and Matt Costa. I love this song, because it’s beautiful and comforting. These guys always make me happy.

“Save Your Generation” by Jawbreaker. Do you ever get completely frustrated with your peers? This song is good, because it addresses that frustration in a positive way. Best lyrics:
“There is plenty to criticize,
it gets so easy to narrow these eyes,
but these eyes will stay wide,
I will stay young,
young and dumb inside,
I’ve just begun to forget my lines.”

I also love, “your leap of faith could be a well-timed smiled.” I live by so many of these words.

“The Middle” by Jimmy Eat World. I’ve loved this song since the moment I heard the first lyric. The funniest thing is that this song made Jimmy Eat World famous. Either a ton of people feel this way, or no one pays attention to lyrics.

“Bigger than My Body” by John Mayer. I find so much of Mayer’s music inspiring. Besides being a great musician, he also writes some amazing lyrics. This song captures that feeling of wanting to soar, but running up against obstacles. The chorus is great:
“Someday I’ll fly,
someday I’ll soar,
someday I’ll be,
so damn much more,
‘cause I’m bigger than my body gives me credit for.”

“Rainbow Connection” by Kermit the Frog a.k.a. Jim Henson. Any other version of this song is stupid compared to the one sung by Kermit the Frog. He hits the sentiment dead-on, and doesn’t make it sound contrived. In many ways this is my theme song.

“Knowledge” by Operation Ivy. This song is succinct perfection. The moral parallels one of the great lines in my favorite movie (“Say Anything.”) Lloyd Dobler doesn’t know what he’s going to do with his life, “but at least [he] knows that [he] doesn’t know, you know?” I love Lloyd an I love Op Ivy. Here’s the best line imho:
“We get taught to decide,
just like,
as if,
I’m not gonna change my mind.”

“True to Your Heart” by Stevie Wonder and 98 Degrees. From the “Mulan” soundtrack (which I love, btw) this song always makes me feel good. Stevie Wonder’s voice is spiritual, and just the fact that the song goes along with the story of “Mulan” makes it awesome. Sing it in the shower!!

Django, The Man

Jean Baptiste “Django” Reinhardt - born January 23, 1910 in Belgium - is one of the most influential jazz musicians to come from Europe. Both violinist and guitarist, Django created a gypsy-jazz guitar sound influenced by his childhood spent in a gypsy camp near Paris. A guitar legend using a Selmer Maccaferi acoustic guitar for most of his life, Django’s brilliance came from his ability to solo and improvise around a steady rhythm. This talent was showcased on such hits as “Daphne” and “Minor Swing.”


Reinhardt overcame more than a few obstacles in his career. In the early years Django badly burned his hand, and throughout his life he was unable to read music. These trials did not stop him from pursuing the life of a jazz musician and becoming a legendary guitarist. For may years, Django played with violinist Stephane Grapelli, starting the The Quintet of the Hot Club of France in 1934. The Quintet played original tunes as well as covers of Louis Armstrong hits enjoying a fairly successful run, but dissolved in 1939. Later in his career, Django toured with Duke Ellington in the United States, but was not met with much interest.


In 1953, Django died, a victim of stroke in Paris. After only 43 years of life, he had created a jazz guitar-playing style that would influence musicians across the globe for years to come. Oddly enough, Django’s music has been featured in such movies as Chocolat and The Matrix Reloaded. Despite his poor welcome in the United States, Django Reinhardt has affected American music with his infectious and unclassifiable guitar playing. Noted musicians from Carlos Santana to Jerry Garcia have claimed Reinhardt as an influence. My personal favorite Django Reinhardt tunes are “Rhythm Futur”, “The World Is Waiting For the Sunrise”, and “Menilmontant.”


For more information regarding Django Reinhardt, read his short biography on Allmusic.com or a longer bio on Wikipedia.org!

Warm Music for Cold Days

It’s cold, oh yes, very cold. This weather makes me want to hibernate, even my iPod is pissed off (do you guys ever notice your iPods freezing up in cold weather?) Anyway, I get angry at my “summer music” when there’s snow on the ground. It’s just so freakin’ peppy and sunny, like your friends who live in Florida and complain about 45 degree days. The real problem is that I don’t have a lot of “winter music” per se. I guess everybody starts dancing when they’re happy, and everyone is happy when they can feel their feet (pretty simple equation.) Maybe if people embraced the happy funky music of the world and started moving in the winter months, instead of turning into Oscar the frozen grouch and climbing back in bed, everyone would be a lot happier and a lot warmer. Here’s some music for testing my theory:


Bonfires of Sao Joao by Forro In the Dark is a warm place to start, and utterly reminiscent of nighttime bonfires. It’s smoky, jazzy, and south of the border where forro is literally a form of dance and a fairly simple style of music. Forro In the Dark branches out, adding a few more instruments, some guest stars (Bebel Gilberto, Miho Hatori, and David Byrne.) It took me awhile to note the Talking Heads influence, but it’s definitely there, especially when you listen to the Heads’ later music where they bring in world beats. Bebel Gilberto adds a little tropical airy touch to the sound of “Wandering Sparrow” giving it a bit of Brazil. This is very warm music, some tango sounds, handclaps, and basically a sense of joy pervading the album.


Funeral by Arcade Fire was the soundtrack to my first day out of the house after a major snow and ice storm. I must say that you cannot truly appreciate this music until you’ve listened to it in the glow of the melting ice that pulls on trees and imagined actually being snowed in. It’s haunting and gorgeous, and you start to really understand the lyrics. No, this band won’t warm you up (they’re from Canada, what do you expect?!) but they can put a smile on your face when the weather outside is frightful.


Little Miss Sunshine (Soundtrack) by various musical talents is a ridiculously fun soundtrack. I have yet to see the movie, but if it’s anywhere near as good as the delightful Devotchka tunes (along with a little Sufjan Stevens, Tony Tisdale, and Rick James biatch) on the soundtrack, then it will be amazing. Especially fun is “Til the End of Time” by Devotchka, with soaring strings and marching drums. Hopefully, it will bring the sunshine back to everyone.


Finally, but certainly not least appreciated by any standards is the Aaron Copland masterpiece “Rodeo: IV, Hoe-Down” which can bring chills to your spine, but also evokes a day on the prairie. It’s pretty, and peppy, and happy, all of the things you need to wake up at 6:30 AM on a chilly winter morning. Don’t waste hot water in your shower, listen to hot music (but please shower also)!

Jamming

Whenever I’m asked to classify music I end up delving into a specific genre and just listening for hours at a time. I analyze and search for similarities, tracking influences and influences’ influences until my ears hurt. Although classification can trap bands in certain genres, it can also help the listener learn about musical history and the true interconnectedness of all music.


I was recently asked to explain the jam band genre, the first bands that came to mind were the Grateful Dead and Phish, but as I listened, searched, and read about jam bands I realized how many different kinds of music have influenced jam bands. Jazz, reggae, ska, rock, blues, country, pop, bluegrass, metal, funk, gospel, and psychedelic, are all types of music that have influenced jam bands, directly and/or indirectly. The world seems a little bit more balanced when such diverse art forms can be celebrated together. Here are some jam bands worth listening to and their influences:


Moe. lists such obvious influences as the Grateful Dead, Neil Young, Jimi Hendrix, the Beatles, the Rolling Stones, and the Velvet Underground on their Myspace. They also list the Clash, Stereolab, Van Halen, and Kiss which are a bit less obvious. On “Captain America” I can hear Parliament and the Red Hot Chili Peppers in the bassline. “Okayalright” has a southern rock feel reminiscent of Lynyrd Skynyrd, the Allman Brothers, and, more recently, the Black Crowes. “Threw it All Away” sounds like some weird Zappa concoction, but it also sounds like the Specials and even the Police. I’ve never been a huge fan of Moe., but when I listen to their music with my head, they impress and surprise the music snob within.


Umphrey's Mcgee is another jam band that’s garnering well-deserved praise and attention on the scene. They’ve taken the art of improvisation and soloing to a new level on their latest album “Safety in Numbers.” Only four of the twelve catchy songs below four minutes, but they’re so fun that they capture your ears for the entirety of the song. It’s important to note that soloing didn’t originate in rock music, in fact, early rock ‘n’ roll was short and fast (Buddy Holly, Chuck Berry, etc.) Soloing actually became popular in jazz music, where all musicians in a trio or quartet received a solo during a song to show of their musical prowess. Umphrey’s Mcgee and all jam bands owe their allegiance to pioneering bebop jazz musicians like Miles Davis, Dizzy Gillespie, and Charlie Parker, who stressed skillful playing over danceability. Umphrey’s Mcgee are working hard to create thought-provoking music that has rich instrumentals and lyrics, and they’re doing a beautiful job.


The Slip are chameleons of music; jamming live and grooving on their CDs, but never really assuming the shape of any genre. They pull together the sounds of jazz, popular music with jangly Beatlesesque grooves, and put out music that’s both psychedelic and mainstream (well, maybe not Black Eyed Peas mainstream, but mainstream enough to be heard on Grey’s Anatomy.) These guys create a musical entity that will effect bands of the future, and is effecting bands as we speak. They deserve your respect just for making music that’s undeniably worth your time.

Keeping My Homies Ahead of the Game

I’m horrible at being ghetto, but that’s not the point. The point is that I’m good at finding awesome tunes to keep my friends occupied. Maybe it’s a sixth sense, or some superhero power I gained when I was exposed to radiation, or maybe it’s just a talent. Although I can’t begin to explain my superhuman abilities, I can use them for the greater musical good.


The new supergroup, The Good, The Bad, and the Queen, may have a ridiculously long name, but they make music that’s at least as ridiculously good. “Kingdom of Doom” has odd guitar noise and a steady bass line that lends it an eerie British sound. It sounds like the Gorillaz slamming out rock songs in a haunted Victorian house. On the rest of their debut, they bounce out reggae beats (“History Song”,) techno music with bumpy piano (“Herculean”,) and sprightly piano with bouncy, yet mellow guitar (“80s Life.”) Listen to their whole album on Myspace.


Being the little pushover that I am, I can’t help but wait with briskly beating heart for the new Fall Out Boy release, “Infinity on High.” The boys know where to place a hook, and they’re just so darn cute, plus, based on the song “Carpal Tunnel of Love” their new album will be the break up album of ‘07. Just a little heads up to all my emo friends (you know who you are!)


I’ve been infected by the Lily Allen bug. Her music is bubble gum, pure musical candy without nutritional value, but worth your time just for the fun you’ll have listening to her snarky commentary on relationships (“Smile”) and Kate Moss (“Everything’s Just Wonderful.”)


For fans of local music, Boston’s female fronted band My Little Radio will be hosting their CD release party at TT the Bear’s on February 2nd. For people who don’t know My Little Radio’s music, it sounds kind of like Flyleaf meets Paramore, and absolutely nothing like the fabulous Dresden Dolls.


Sometimes when a band or artist has a lot of chatter circulating online and blurbs in big magazines, when everyone seems to hear something different in their music, I don’t hear anything. I have a horrible time trying to find something interesting in music that everyone else seems to be touting. After a little break from the gossip, I can usually find something I like about any kind of music. Here are a few good bands/musicians I’ve ignored in the past because they were already receiving a ton of buzz:

Cold War Kids

Brett Dennen

Death From Above 1979 (no longer together)

Iron & Wine (Like I’ve said before, I was late on the whole Garden State thing.)

KT Tunstall

The Raconteurs

Los Abandoned

Old Crow Medicine Show


I want to finish you guys off with something old yet exceedingly interesting; Hobbit. Yes, they’re named after the race of miniscule hairy beings from the J.R.R. Tolkien books. Yes, all of their songs are about the plots of said books. Yes, they are a cheesy prog rock band. But if it weren’t for these three little things, Hobbit would be huge. They basically rip off Led Zeppelin, but then what self-respecting rock band doesn’t?

Sun Gods Rock '06

I had few expectations for my last concert of 2006. Despite the fact that Apollo Sunshine is one of my favorite bands, I’ve been disappointed by their shows in the past. Yet, I can honestly say that this last show was the best I’d seen all year. There was an atmosphere of excited expectation; the crowd was ready, and as the music progressed more people parted ways with their egos and unabashedly screamed the lyrics.


Opening ska band, Captain Mojo and the Cat’s Pajamas rocked the local crowd and inspired an impromptu skanking circle. Their music was undeniably fun and they play their instruments well, an uncommon talent in young ska bands. Baker followed Captain Mojo, and although new to most of the crowd, they certainly deserved every approving shout they received (quite a few.) A lone beat-boxer performed before the headliners, and despite his lukewarm welcome, boxed formidably. I was more than pleasantly surprised by the talent of all these artists, so when Apollo Sunshine graced the stage with their massive presence I was pretty excited.


Apollo Sunshine can put on a show. Starting with fan favorites “Phoney Marony” and “Today is the Day,” the crowd quickly acclimated to the sound and danced throughout the show (even improvising their way through lengthy guitar, keyboard, and drum solos.) Jesse Gallagher, Sam Cohen, and Jeremy Black played many songs from their first album, Katonah, including “I Was On The Moon,” “The Egg,” and “Mayday Disorder.” After an amazing set, the boys returned to play an encore that probably lasted twenty minutes. This consisted of three songs from their latest self-titled CD, “Eyes,” “Lord,” and “Phyliss.” For their final song Apollo Sunshine were joined onstage by many guests including all of Baker. The multiple musicians gathered around the drum set, banging on percussion instruments, throwing guitars, and adding to the chaos that is “Phyliss.” When the lights turned on, the crowd seemed in a musical coma, we slowly found our bearings and our jackets, and trudged into the cool night air.

Looking Forward

Very few albums are released in the weeks after Christmas and New Years, but despite the temporary lull, 2007 will be a big year for music. Like ‘06, ‘07 will be a year of big names (Red Hot Chili Peppers, Justin Timberlake, Bob Dylan, Jay-Z) and surprising hits (The Fray, Gnarls Barkley, The Raconteurs, O-ZONE.) There’s a lot to look forward to, and plenty to be weary of in the world of music, but one thing is certain, ‘07 will be an interesting year.

At the end of January, Norah Jones will drop the appropriately titled “Not Too Late.” I was a bit underwhelmed with her second album, “Feels Like Home”, because she didn’t really seem to break from the mold of “Come Away With Me.” Yes, the album was pretty, but I just expected more from Jones. I think Jones, like Mayer, needed a little time to figure out what her “sound” actually sounds like. I’m encouraged to try this new album, based on my knowledge of Norah’s side projects. She’s most definitely branching out, working with Peeping Tom (a.k.a. Mike Patton) on “Sucker,” a song far from any dinner party soundtrack. Her work with the Little Willies was also an encouraging break from the world of “adult contemporary.” With the Willies, Norah covered country favorites and a few rock songs. She also appeared on “Virginia Moon,” a song from the latest Foo Fighters album. These various projects lead me to believe that Jones is experimenting, and, in my opinion, experimentation is what she needs to give her music new life.

Coming out a little earlier than the Jones release is the Shins’ latest, “Wincing the Night Away.” Based on the single “Phantom Limb,” the Shins have branched out again, but retained the sound that makes them different and exciting. “Phantom Limb” is jangly, yet substantial. It’s reminiscent of the ‘60s, but also very much a product of its time. I honestly don’t know what to expect from the Shins’ third release. The Shins did not succumb to the infamous sophomore slump, they’ve consistently made good music, and I am keeping my fingers crossed that “Wincing the Night Away” will surprise and delight me as much as “Oh, Inverted World” and “Chutes Too Narrow.”

The Shins and Norah Jones are the artists whose music I await with the most anticipation during the month of January, but I don’t want to look too far into the future. Personally, I enjoy a few surprises through the year.

Reaching Back (Rediscovering Old Favorites)

Sometimes, I become overloaded with new music. I just can’t process all of the new sounds that I hear, and I have to take a break and listen to something comfortable. I’ve found that even when I’m completely sick of the “usual” (which changes very often, but is generally sprinkled with Rancid, The Specials, Led Zeppelin, Green Day, The Cars, etc.) I can find something classic and unexpected that makes the world feel right. These songs are the “homemade macaroni and cheese” of music; it’s comfort food for your ears.

“I Want You To Want Me” by Cheap Trick. It’s one of those songs that fits any mood. If you’re feeling good the beat matches your upbeat mood, and if you’re feeling low the lyrics are perfect for drowning your sorrows.

“Rudy Can’t Fail” by The Clash. This song is absolutely classic. The Clash bring in so many influences musically and the lyrics are great on this tune. Ska horns and a point; just because your life works for you, doesn’t mean it’s the life for me.

“Boxcar” by Jawbreaker. I happened upon this band about a year ago, and had to ask myself why they hadn’t garnered more recognition during their career. Green Day lifts the tune for “She’s a Rebel” and the lyrics tell a similar story. It’s short, but sweet.

“Voodoo Child (Slight Return)” by Jimi Hendrix. It’s an obvious classic. Get lost in Jimi’s guitar.

“Spin” by Lifehouse. One of the few Christian bands that I absolutely love. I think what sets Lifehouse apart is their ability to craft music that applies to all lifestyles (Christian or otherwise.) The lyrics are great.

“Time” by Pink Floyd. “The Dark Side of the Moon” is an amazing album and this song absolutely sums it up for me. One Winter, I listened to it on repeat (think about that, seven minutes on constant repeat.)

“Strong Enough” by Sheryl Crow. I’m not always a Sheryl Crow fan, but this song is absolutely beautiful. It breaks my heart, and then mends it.

“The Sound of Silence” by Simon & Garfunkel. I love when things that seem completely different are connected, so I was blown away when I realized that Rush uses (and slightly changes) a verse from this song. The lyrics are amazing and I love the percussion. If you were wondering about those lyrics, here they are:

“...And the signs said, the words of the prophets
Are written on the subway walls
And tenement halls
And whispered in the sounds of silence.”
- Simon & Garfunkel

and

“...For the words of the profits were written on the studio wall,
Concert hall
And echoes with the sounds of salesmen.”
- Rush

“Funky Kingston” by Toots and the Maytals. This song is just unbelievably fun to listen to. It builds and builds into this monster of a ska tune.

“Baba O’Riley” by the Who. It doesn’t matter what time of day, week, year, decade; what kind of mood I’m in; or what kind of people I’m with, I will always listen to this song. “I don’t need to be forgiven.”

Happy New Year!!!

Check this out: http://music.aol.com/artist/o-zone/310147/main#

Watch the "Dragostea Din Tei" video and laugh your ass off!!



HAVE AN AWESOME NEW YEAR!!!

"The Best Way of Spreading Christmas Cheer, Is By Singing Loud For All To Hear!"

I’m a fan of Christmas music, mostly because, by and large, it’s happy music. People don’t usually write Christmas music about broken hearts, deceased family, and war (although it isn’t unheard of; “Happy Christmas (War is Over)” and “Last Christmas” are two popular examples.) The month of December is one time of year when you’re allowed to be silly and happy, instead of the usual required cultural attitude of jaded and ironic cynicism.

I do have Christmas music likes and dislikes. I’m a big fan of laid-back jazz Christmas music. The Vince Guaraldi Trio’s “A Charlie Brown Christmas” album is an example of one of my personal favorites, it’s classic without being kitschy, and it has the added benefit of being music that can be enjoyed throughout the year. I also like the standards, Frank Sinatra, Judy Garland, Ella Fitzgerald, Nat King Cole; all great voices with character. Stevie Wonder, lends a spiritual and soulful feeling to all of his music, so when he sings “What Christmas Means to Me” you know he’ll make it meaningful.

You’ll find a few oddities in my collection, but nothing less than genius. Take for example, “Christmas in Hollis” by Run-DMC. It’s the only holiday rap song that I know of, although I don’t pretend to know everything. Being punk (and Jewish) didn’t stop the Ramones from making a Christmas song, and “Merry Christmas (I Don’t Wanna Fight Tonight)” certainly takes three-chord punk to a different level. Also on my list is the classic “Father Christmas” by the Kinks, which is a rocking packet of holiday-flavored social commentary.

Of course, you can also find some closet Christmas music in my collection. I’m an unabashed fan of Mariah Carey’s “All I want for Christmas Is You”, Destiny’s Child’s “8 Days of Christmas”, and Jose Feliciano’s “Feliz Navidad.” My new favorite Christmas song is from The Polar Express soundtrack, “Believe” by Josh Groban, and I’m not sure if it’s the lyrics or Josh’s voice that make me tear up (from an overabundance of happiness) whenever I hear the song.

A couple of Christmas songs I dislike? Well, “Dominic the Donkey” is pretty annoying and “All I want for Christmas is my Two Front Teeth” gives me a headache. The worst Christmas song, in my humble opinion, is “The Christmas Shoes” by NewSong . I don’t dislike it because it’s country music, I dislike it because the story is sad, sappy, and contrived. Rudolph and Frosty don’t bother me in the least, but indie Christmas music kind of creeps me out. I don’t have any good reason for disliking indie Christmas music, it just gives me a weird feeling. I guess it’s like emo kids trying to be happy, it just feels wrong.

Merry Christmas to all my readers! Leave me your thoughts and personal Christmas favorites. If you don’t celebrate Christmas, pick another holiday themed song or even a song centered around the winter season and share with your favorite blogger (me)!

I Love Alliteration!!

Which makes me love Tally Hall's album, "Marvin's Marvelous Mechanical Museum" even more. Once in awhile, maybe every year, I come across an artist that just makes me think 'Wow, was I under a rock? How did I miss these guys?' Usually, I'm just a little bit ahead of the game and I get to watch (and sometimes help) these artists grow in popularity, spreading their beautiful music to the masses. Lately, it's been Apollo Sunshine, Zox, and Gogol Bordello and, I'm hoping it will now be Tally Hall.

"Marvin's Marvelous Mechanical Museum" reminds me quite a bit of Apollo Sunshine's "Katonah." I think this similarity is due to the fact that both bands experiment with their sound throughout the album. Tally Hall's opening tune, "Good Day" includes robotic/operatic vocals, piano, rock guitars, and some random blasting sound effects that caused me to believe my headphones were broken. Not to imply that it is anything but fun to listen to "Good Day", it initiates you in the odd Tally Hall world, while making your ears happy. The second song, "Greener", is almost more jolting than the opener, given it's tendency to sound "normal" at first listen. When you really listen to "Greener", it's becomes obvious that it's only normal in the world of Tally Hall where random instruments make unexpected appearances every day. By the time you reach the third song you know you've really found something different! "Welcome to Tally Hall" is a rap song, with horns, all kinds of percussion, and a carnivalesque atmosphere that surrounds your ears.

The whole album makes me happy, and at this time of year it's a nice alternative to, well, anything on the radio. I've been informed by a good source that their live show is amazing. I would definitely take a listen to these boys if I were you. They've been spinning non-stop in my CD player for the last week, and I only got their album a week ago.

The Many Faces of Modern Folk

Folk music is an interesting thing. You can trace it through the years; from campfire songs shared by tribes to ballads sung for kings. It stretches far and wide in music, influencing every genre imaginable and taking the form of musical poetry. Folk is the music of the storyteller, and the lyrics are generally more important than the instrumentals. Folk is very diverse, all of the songs take a similar form, but similarity is relative. Flowers are similar, but no one would say that an orchid and a dandelion are basically the same thing. Take a listen to the stories these musicians have to tell, they are the stories of our times and they are as similar to each other as orchids and dandelions.


“Fidelity” by Regina Spektor

From Regina’s latest masterpiece “Begin to Hope,” the melody is deceivingly simple. Lyrically, this song is about heartbreak, it’s about trying to hide yourself in music, trying to protect yourself, and failing miserably. In the event of real-life heartbreak, Regina’s voice is really all the music you need and her lyrics are comforting and genuine. Regina Spektor knows where you’re coming from.

“Moon Over the Freeway” by the Ditty Bops

Their ridiculously catchy music sounds like something that could’ve been played on the radio in the ‘40s, or earlier. Their new album is an escape from modern living. This song is extremely lighthearted, and although it may sometimes feel more like swing than folk it is so evocative of an era and a certain front porch feeling, that it pulls you into a different time and place, telling you a story.

“Weather Report” by Bright Eyes

It’s always a story you hear when Conor Oberst sings. I hate to commit musical sacrilege, but his lyrics in “Weather Report” remind me of Bob Dylan. It’s not just an overall revelatory story, it’s a story that shows you something about yourself, or about your culture, or about your world in every line. For example:

“And the time clocks keep waving their hands
Doin all that they can
To get our attention
But the days fly away down a clean interstate
I’m staring drunk at a map...”

It’s sad, funny, and true. How do we value our time? And, even when we’ve been told “time is of the essence” do we listen? It’s one small part of a song that can tell you a lot if you take the time to listen to the lyrics.

“Lullaby” by Jack Johnson & Matt Costa

From the most amazing “Curious George” soundtrack, Jack and Matt sing a lullaby. My favorite part of Elliott Smith’s music, will always be his ability to make the listener relax and let down their guard. Mr. Smith also crafted, beautiful and sometimes unbearably sad music. What Jack Johnson does is similar, but different. Johnson creates a song, like a lullaby, that lulls you into relaxation, then he peppers your daydreams with “Banana Pancakes” and “Constellations.” It’s really beautiful, and the fact that he can celebrate happiness and truth through folk music, easily sets him apart from his contemporaries.

The Innovators

In our computerized world, technology changes rapidly. Ten years ago, everyone used VHS tapes and CDs which have now gone the way of the 8-track, cassette tape, and vinyl record. The internet generation’s MP3s have created controversy in the music business. The industry first struck back by causing the fall of the giant free file-sharing services. “The innovators” who saw the potential for instant music access turned file-sharing into file-downloading, and the legal availability of instant access has recently caused multiple large music chain stores to shut their doors (as well as the small independents that are rarely mentioned.) The other reason these music superstores have fallen is that the freewheeling facade that has been the “face” of the music industry since the mid 20th century was finally destroyed. There is absolutely nothing “freewheeling” about rich men suing kids for stealing music, and many people just don’t feel comfortable buying music from “the man.” Unfortunately, people don’t seem to understand that the music business is a business. When iTunes has a total stranglehold on the market, then we’ll see who’s the new “man.”


Personally, I was an early adopter of legal downloading services and I understand the charm of immediate access and availability. You can log into iTunes and buy an album as soon as it’s available, and there is no possibility of it being sold out. You can also preview all of the tracks on the album, which is a giant step up from deciding to buy a CD based on the cover art. In my opinion though, in gaining immediate musical gratification, you lose some of the art. I still buy actual hardcopy CDs much more often than I download CDs, and the reason for this is that I miss the tangible object when I download. Besides just listening to a CD, I like to read the lyrics and thank yous from the band, and pour over the artwork. Maybe I’m old-fashioned, but I enjoy having a real case for my CDs, not a piece of computer paper folded into an envelope with poorly drawn hearts on the cover. I also like the idea of buying CDs at artist’s shows, where you can actually talk to the people who get your money. Despite the numerous reasons for buying hardcopy CDs, now that people have embraced the idea of downloading, there’s really no going back. Instant gratification is the catch-phrase of my generation, and iTunes has packaged that in a very attractive and sleek way.


Yet, new innovators are always on the horizon, and the innovators in this case are the artists themselves. Harvey Danger, the band best known for their neurotic hit “Flagpole Sitta” has released their latest album “Little By Little” in stores and online, but not in the usual way. To get their music out in the world, Harvey Danger offers their latest album as a completely free download on their website, but also gives the music-lover a chance to purchase their album through their online store. The “physical version” includes a bonus disk and there are different level packages that include t-shirts, stickers, and buttons. In this way, Harvey Danger is giving their fans immediate access to excellent music and the ability to buy their CD straight from the source. You can read Harvey Danger’s well-written reasons for making their new CD free on the Harvey Danger website: http://www.harveydanger.com/press/why.php


Another extremely talented and innovative band has taken the reigns with its musical freedom, and this band’s name is Lucero. With their new CD “Rebels, Rogues & Sworn Brothers”, Lucero has been advertising a promo-special where you can buy a hard copy of their new CD through their website and receive an instant digital download. The cost of the CD is only slightly more than a download from iTunes, and you receive immediate access to very good music, a CD in the mail, some rad pins, and the good feeling you get when you do something worthwhile.


It’s always worthwhile to support great music, especially when you can cut out the middlemen who make the music less of an art. There is nothing wrong with making money from music if you’re distributing a good product and not taking advantage of people, and Harvey Danger and Lucero have enough faith in their product that they are willing to take chances. This is what innovators do, and, in my opinion, these artists are the next innovators in the flailing music business.

We Got the Beats

We music connoisseurs like to think that we’re always discerning when it comes to our musical choices, but loud music and the need to dance sometimes override our best efforts. We’ve all been in that position where our “closet music” starts playing on the radio and we just have to turn it up. Many of us have also been in a situation where a member of an older generation questions the propriety of a beat or lyric. Yet, despite the belief of much of the population over twenty, not all hip-hop is composed of breakneck beats and bad-ass lyrics (not that those songs aren’t fun too!) Like any musical genre, hip-hop has gone through many transitions and survived the power of many sub-genres. The most popular artists aren’t necessarily the best or the most interesting, but sometimes their music is fun. Like all music, hip-hop has a huge number of artists doing different things, and plenty of hip-hop music is worth listening to for more than just beats. The following artists are definitely worth your time:

Edan from Boston is a master of flow and sound. His music and lyrics are interesting, and they work well together, unlike some hip-hop music where the music and lyrics either battle for superiority or are both less than interesting. Beauty & The Beat showcases Edan’s rhythmic and lyrical prowess.

Lupe Fiasco is the skateboarding rapper of 2006, complete with a punk-rock name. Despite the fact that “Kick, Push”, the first single, talks about being a rebel on a board it showcases smooth horns more reminiscent of late-night jazz than ska. The rest of his album, Food & Liquor, is equally smooth with more R&B and neo-soul influences than hip-hop. Lupe Fiasco remains a rapper throughout the album, but keeps his hard edges smooth with an R&B sound.

Delinquent Habits make Latin rap that sounds very different from Daddy Yankee. The band rarely raps in Spanish for a whole song, yet their sound is very “south of the border.” Their music includes horns, guitars, drums, and the occasional well-crafted beat, and is reminiscent of laid back Ozomatli. Delinquent Habits’ lyrics are usually about partying, and their thick beats are perfect for a party soundtrack.

Psalm One is a female MC who celebrates her femininity. It’s a rare artist who understands that being female just comes down to being yourself, and equally rare are female rappers who feel comfortable dropping a rhyme without putting on a show. Psalm One seems both comfortable with herself and with her rhymes. She throws around tricky lyrics with power, and she throws them over interesting beats.

Atmosphere is the political rapper in this bunch. He can drop heavy lyrics over mad beats, like a hardcore kid can scream over shredded guitars. Besides his amazing flow, Atmosphere writes lyrics that mean something. He discusses hip-hop culture (“Trying to Find a Balance,”) life’s disappointments (“Pour Me Another,”) and just trying to make it (“The Arrival.”) Like every artist listed here, Atmosphere has a distinct sound that separates him from the popular rap crew. Atmosphere has a very even and exceptional sound, easily throwing around difficult lyrics over tight music.

...You Say You Want A Revolution

Some of the most powerful and empowering music discusses the idea of being trapped in your own or others' preconceived notions. Sociologically speaking, we live in a society that imposes boundaries and restrictions and some great music speaks of bumping against, and in some cases bursting through those barriers. Revolution can be both internal and external, and is more celebrated in contemporary music than you may realize. When you feel trapped, listen to the music and it will free your mind.

“To Have and Have Not” by Billy Bragg

This song addresses the separation of classes and the disconnect between people that results from this separation. The people who can “...afford to pick and choose...” have a greater advantage in the working world and do not always understand that everyone does not have this advantage. The most touching lyric: “...just because you’re better than me, doesn’t mean I’m lazy. Just because you’re going forward, doesn’t mean I’m going backwards.”

“Start Now” by Rancid

A call for unity to end war and violence. The chorus is clear, “I’m not looking for a fight now, and I don’t care who’s wrong or right now, so release the dove into flight now, so we can start right now...” Let’s get past our differing ideologies and work together for the common good.

“Video” by India Arie

Clearly about female body image and the struggles women go through to create a certain outer appearance or to combat that compulsion. India sings the age old question “Am I less of a lady if I don’t wear pantyhose?” and then counters with the thought that so many strong women share; “...my mama said a lady ain’t what she wears, but what she knows.” Beautiful, empowering, and spiritual.

“Waiting On the World to Change” by John Mayer

A song addressing our personal ability to change the world. John Mayer questions the apathetic title that has been placed on his generation, “ Me and all my friends we're all misunderstood. They say we stand for nothing. There's no way we ever could. Now we see everything is going wrong with the world and those who lead it. We just feel like we don't have the means to rise above and beat it.” He’s waiting, but when his time comes he’s ready to change the world.

“Won’t Get Fooled Again” by The Who

This song speaks of revolution, but takes a different view of the resulting change. The entire song is summed up in the last two lines, “Meet the new boss, same as the old boss.”

“Smells Like Teen Spirit” by Nirvana

Filled with teenage angst and sung in the mumbling tones of adolescence, Kurt Cobain uses the internal unease of that “most wonderful time of your life” as a metaphor for the feeling of not quite fitting the mold. This song truly showcases all of Cobain’s genius taking you into that world of boredom, apathy, and uncomfortable physical changes that make teenagers such a misunderstood creature. Cobain heightens this idea of differences by naming four odd things, things that seem very out of place, “a mulatto, an albino, a mosquito, my libido.”

“La Vie Boheme Pts. 1 and 2” by the Cast of RENT

A true celebration of differences and a grocery list of eclectic traits and nonconformist attitudes. “To going against the grain, going insane, going mad...to being an us for once, instead of a them!”

“Who’s Gonna Take the Weight?” by Gang Starr

Besides having impeccable flow, Gang Starr’s lyrics have a point. Another call for unity, but this time it’s especially directed towards the African American community; “... and just imagine if each one is teachin' one we'll come together so that we become a strong force, then we can stay on course. Find your direction through introspection and for my people out there I got a question, can we be the sole controllers of our fate? Now who's gonna take the weight?”

“Soar” by Christina Aguilera

Christina Aguilera belts a song about self-acceptance, independence, and strength in the face of major conformism. Again, the high school experience is the perfect setting to showcase differences, since changes and differences are always on center stage. The overwhelming moral is to believe in yourself, even if no one else does, because you’re the one that matters.

A Few of My Favorite Things, Vol. 2

The hills are alive with the sound of music, and I happen to be a big fan of musicals. I don’t understand what the big deal is anyway, in some ways showtunes are just the anti-hardcore; concise and understandable lyrics to beautiful music. Showtunes’ very structure is what makes them perfect for soundtracks, they’re music that furthers the story and entertains.


“Beauty & the Beast (Soundtrack to the Disney Motion Picture)” Composed by Alan Menken

Besides being just about the best animated Disney movie ever - obviously I’m quite a fan! - the music is also just amazing! In the style of the best Broadway shows, the music enchants while the lyrics entertain and all is made perfectly easy to understand so you can sing along, if you wish. The ensemble tunes are some of the best, while of course, Angela Lansbury outdoes herself with the big love-story number “Beauty & the Beast.” Personally, I enjoy Angela Lansbury’s version of the title-track much more than Celine Dion and Peabo Bryson’s, but at the end of the soundtrack even that unneeded cover is added on for good measure.



“RENT (Original Motion Picture Soundtrack)” Composed by Jonathan Larson

I went to see this movie last year around Christmas time, and at first I thought ‘Wow, this is different.” For the next few weeks until Christmas I found myself humming the songs, even breaking into full-out vocals at times. I finally got the soundtrack and couldn’t get it out of my CD player for months, in fact I just started listening to it again after a month-long hiatus and the music is still amazing. The best thing about this musical is that the sentiment of the songs does not become dated, even if the constant references to AIDS get a little over the top. Also, the score is one of those rock scores that holds up. The music is layered and well-played and doesn’t sound like something out of a bad ‘80s movie, and the vocals never fail to bring tears to my eyes. It’s funny how you can fail to notice great music when it’s right under your ears.



“Lord of the Rings: The Return of the King” Composed by Howard Shore

The best of the three movies, if only because of its emotionally cathartic ending, “The Return of the King” also has the best score. I’m assuming that it was Peter Jackson’s decision to leave the overlong “battle songs” that plagued Tolkien’s books out of the movies, but I applaud Howard Shore for backing up his decision. These soundtracks could have gone very wrong if we suddenly had Legolas and Gimli breaking into songs about slaying Orcs, but instead we have a very insidious and subtle score. The music really creeps up on you when you listen, sometimes everything sounds peachy and the heroes will save the day, and then slowly that doubt creeps in and you remember Golem and Sauron. Howard Shore had to really understand the feeling of the movie and have the ability to translate that feeling into a coherent score to create this beautiful music, and I think he pulled it off extremely well.



“Fiddler on the Roof” Composed by Jerry Bock with Lyrics by Sheldon Harnick

One of my favorite musicals because of its exceptional use of the emotional bond between parents and their children. Tevye is a truly good man trying to care for his family in a time of extreme change. Out of this story line we get such gems as “Tradition”, “Sunrise, Sunset”, “Anatevka”, and my personal favorite “Far From the Home I Love.” It is an underrated masterpiece with amazing music.



“The Sound of Music” Composed by Rodgers & Hammerstein

Julie Andrews’ voice is amazing and anything she sings is beautiful, but this musical is really perfect for her voice. The story line is most definitely Rodgers & Hammerstein, a fairy tale worthy of Disney, but a musical or movie for that matter does not need an unhappy ending to be worth viewing. Sometimes it’s all right to like something because the music is good and the story is entertaining. I’m not endorsing the new Paris Hilton album, but I do think it’s a shame that more people can’t enjoy a good musical just because it’s fun. The story isn’t all rainbows and waterfalls anyway, I mean the Nazis are involved, and some of the music strikes a deeper chord. This isn’t a shallow musical, but it is a very good fairy tale.

...These Are a Few of My Favorite Things Volume 1

In some ways I think of all the music I listen to as a soundtrack; the soundtrack to my life. So, when choosing the music I listen to on a regular basis I can be very picky. If you are a true music-lover you know there is a time and place for every song, and sometimes finding the perfect song for the perfect moment takes a little searching. These following soundtracks are my personal favorites and make up the first volume of my Favorite Soundtracks list. The composer or compiler truly understood what it meant to need that perfect song and went out of his/her way to find music that fit a moment in time and on-screen. Here they are:


“Grosse Pointe Blank” Compiled by Joe Strummer

This, in my opinion, is one of the most finely crafted soundtracks I’ve ever had the pleasure of listening to. Joe Strummer outdid himself with these picks. There is not a bad song on the album! The late, great Mr. Strummer brings you back to the ‘80s for John Cusack’s high school reunion, but magically pulls together a baker’s dozen of authentically ‘80s songs that don’t suck. Actually, in all seriousness this album is excellent and underrated, the music is well-mixed, all of it is good, and the album includes a nice sprinkling of hits to keep you singing along.


“Garden State” Compiled by Zach Braff

I know, this album has received a ton of press backing and it probably doesn’t need my voice added to the collective cheer, but it really is good and I can’t leave a good soundtrack off this list. I was very slow to jump in, given all the hype surrounding the entire “Garden State” project and I wouldn’t touch the soundtrack with a ten-foot pole. I’ve obviously changed my mind about this album somewhere down the line and this is why: The movie made me sad, it really did, and I was afraid of watching it because I knew it was going to be sad, but the thing that really struck me as I watched was how seamlessly the music and the movie went together. It reminded me of a John Cusack movie because the music is always very important in his movies, but somehow the sound never supersedes the story. The story and the music flow.


“Pride and Prejudice” Composed by Jean-Yves Thibaudet

I’ve already written a fairly lengthy endorsement of this soundtrack in this blog, so suffice it to say that Jean-Yves Thibaudet creates music that at once evokes another time and connects to the time the listener inhabits. It’s gorgeous.


“Daredevil” Composed by Graeme Revell and Various Artists

This soundtrack that launched the Evanescence explosion is highly underrated as compared to some of its comic book contemporaries, but is certainly the cream of the crop. This not a smattering of disjointed hits like the Spiderman soundtrack, but a finely crafted hard-hitting rock album that fits the movie well. Even if you’re sick of hearing Amy Lee wail on “Bring Me To Life”, you’ll love her voice in this movie.


“Marie Antoinette” Compiled by Sophia Coppola

It’s funny how sometimes when you least expect it a soundtrack really surprises you. I was almost certain the music in “Marie Antoinette” would be well-crafted music of the period, but these 26 underground gems really flesh out the idea of the pouty princess. New Order, Gang of Four, and The Cure are not names you’d expect to find in Marie Antoinette’s repertoire, but find them you do on this soundtrack that very much evokes modern day royalty with a touch more class (Hilton + Princess Di = Kirsten Dunst.) Sophia Coppola had a vision and you can really tell by how well she compiled this music, it is most certainly a labor of love and a joyful experience for the ears.

BOO!

HAPPY HALLOWEEN!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Falling for Fall Out Boy

I tried not to like them, believe me I did. It’s ridiculous how far I went to ignore their music. For at least two years I’ve been changing the station on the radio and ignoring Fall Out Boy, the band many music connoisseurs love to hate. I could lie to my readers and tell them I find Fall Out Boy’s music trite, their emotion false, and their love of incredibly long song titles lame, but alas I’m an honest person. I enjoy listening to Fall Out Boy. Finally it’s out, and the real question isn’t why do I like them, the real question is why do I feel so guilty about liking them? Peer pressure is many times more of a problem around indie music lovers than around their pop music counterparts. I know I’m personally guilty of laughing at other’s music choices, but I usually try to give everything a fair shot.


To elaborate on my point here’s a little personal anecdote: One day I was talking with a close friend about music. As we were discussing our feelings about Fall Out Boy another friend (an annoying one:) made the comment that “Fall Out Boy is the worst band ever!” Unfortunately, this friend will not listen to reason (it has been proven that the title of worst band ever goes to The Locust not Fall Out Boy, but I digress.) At a later date I had the pleasure of a good laugh when this same friend who claimed that “Fall Out Boy is the worst band ever!” revealed that he knows all the words to Warrant’s “Cherry Pie” which happens to be one of his favorite songs.


I guess the real point of this story is that music is what you make of it. Your musical tastes are built upon your personal interests, expectations, knowledge, and experience and in the end, it all comes down to what your ears like. There’s no point in trying to change your feelings about music because you believe others will perceive you in a certain way. Screw what others think! Put on your headphones and turn up your Fall Out Boy (or Warrant for that matter.) Keep your ears and mind open to different sounds and different opinions, but make up your own mind about the music you love.

Boo!: A Sort-Of Halloween Playlist

Despite the fact that I’m a giant baby when it comes to scary movies (I couldn’t sleep after watching “Signs”) I enjoy Halloween. Maybe I’m a masochist or maybe I just like the idea of changing yourself for one night. The possibilities are endless and you get free candy! In honor of this crazy holiday I’ve created a playlist of songs that remind me of Halloween. Not all of the songs are spooky and you won’t find most of them on a Halloween compilation cd, but they all remind me of the otherworldliness of that final night in October (MWAHAHAHAHA.)


“Evil” by Interpol: Maybe it’s just me, but everytime I here this song I can see zombies rocking out to that crazy steady bassline. Certainly evil.


“Dead Man’s Party” by Oingo Boingo: The title alone conjures pictures of skeletons in party hats. This song also makes me think of the Death Day party in “Harry Potter and the Chamber of Secrets”. Quick trivia question: Which member of Oingo Boingo went on to spooky soundtrack fame? Danny Elfman of course!


“Teenagers from Mars” by the Misfits: The underrated horror-punk band of the ‘80s sing about teenagers from mars. Also check out the Network’s cover of this song.


“Supermodel Robots” by The Network: With sirens blasting in the background, what could be creepier than starving supermodel robots? The Network are the kings of dress up. It is rumored that three of the members are Green Day in disguise.


“Fashion Zombies!” by the Aquabats: A really weird and cool band singing extremely Halloween worthy tunes. This song is making fun of goth/emo kids everywhere with a thinly veiled (barely veiled) metaphor. Just check out some of the lyrics:
“...So lock those doors and windows
They crawl the malls to shop
For tight black jeans and spiky belts
and scissors for the Zelda cut
and there is no explanation
These creatures are just victims
Dressed in expensive fashions
To look like they crawled out of coffins...”


“Going Under” by Evanescence: This whole album freaks me out so much that I can only listen to it on sunny/extremely happy days. Don’t listen in the dark!


“Gone Daddy Gone” by Gnarls Barkley: These guys have a great love of Halloween masks which they seem to wear for every photo-shoot. This song was originally done by the Violent Femmes, and although it isn’t spooky per se, I find that everything Gnarls Barkley does scares me a little (in a good way!)


“Knights of Cydonia” by Muse: Starting off with the ominous sound of horse hooves and lasers (?) this song is pure eerie fun. Although it does remind me more of cowboys than knights, it definitely makes me pause and listen hard every time I hear it on the radio. Listen to the lyrics, they’re great.


“Dragostea Din Tei (Original Romanian)” by O-Zone: The only scary thing about this song is how much I enjoy listening to it! Oh yeah, and it’s in Romanian which, surprisingly, is not as scary as I had imagined.


“How Soon Is Now?” by The Smiths: Morrissey man, he used to be so weird now he’s just depressing, but that isn’t really the point. This song is great with a loooong intro. It always makes me think of that part in “The Wedding Singer” when Linda comes back, and that’s hands-down the creepiest part of that movie.


“Just Like Heaven” by Dinosaur Jr: They took an already eerie Cure song and made it weirder with all kinds of spooky distortion. I love it!


“Bat Country” by Avenged Sevenfold: This song is just so cool, and the drummer and guitarist are AMAZING. Even if you don’t want to listen because of the massive MTV video play check it out, I promise you won’t be disappointed.

Everything you need to know about...Lydia Vance

Lydia Vance is a new band from Las Vegas. I recently corresponded with lead guitarist Brendan and asked him a few questions about the band. These are definitely guys you should check out. In the short time they’ve been together they’ve written some very solid material, and they certainly have the talent to continue writing and growing as a band. Lydia Vance is:

Brendan on lead guitars & vocals
Travis on guitar & vocals
Jarred on bass
Aaron on drums

It was a pleasure interviewing Brendan. Here is the transcript for your entertainment; everything you need to know about Lydia Vance:


Music Snob: So, it’s great to be interviewing you! How long have you guys been playing music together?

Brendan (Lydia Vance): 4 months.

MS: I can definitely hear punk in your music, along with rebel country and grunge influences. These genres are known for their artist's scorn of fame and disinterest in money. What do you guys want from music? Would you like to “make it big”?

Brendan (Lydia Vance): All we want is to have a career and longevity. We want the band to be our full time job. If we make it big, that’s a huge plus.

MS: Besides the influences you mention on your site (Thin Lizzy, Squeeze, Elvis Costello, and Johnny Thunders) what artists, movies, books have influenced your music?

Brendan (Lydia Vance): Me personally, I'm a big fan of bukowski and jd salinger as far as books go. I love all kinds of movies, huge fan of christopher walken. He’s pretty much the greatest man alive.

MS: What is it like to be a band living in Sin city? Are you getting more attention with the recent fame of the Killers and Panic! at the Disco?

Brendan (Lydia Vance): Vegas is Vegas. There’s always been a lack of all age venues, something that makes it incredibly hard to thrive as an up and coming band. But somehow we always find a way to make do. Of course with the killers and panic's success it has had the industry buzzing quite a bit around here, but that has had no affect on how we do things.

MS: Any local band recommendations?

Brendan (Lydia Vance): Jr. Anti Sex league.

MS: Do you have a favorite venue in Las Vegas/the World? What do you like about it?

Brendan (Lydia Vance): There are no real venues left in vegas, besides say the house of blues or the joint. We have yet to play out of town, so as far as other clubs, I’ll keep you posted. haha.

MS: Will you be touring soon? Any plans for an album?

Brendan (Lydia Vance): We will probably be touring extensively in the months following the release of our ep. The ep comes out in November and is entitled "Fight Fire With Kids On Fire". Pick it up.

MS: How do you guys go about the song-writing process?

Brendan (Lydia Vance): I usually write all the songs, and then it builds from there.

MS: What are you trying to say with your music?

Brendan (Lydia Vance): That life is fucked up, and you’re not alone with your problems.

MS: If you could play any instrument other than your own, what would it be?

Brendan (Lydia Vance): Drums!

MS: The Stones or the Beatles? Why?

Brendan (Lydia Vance): Beatles, more hooks.

MS: Is there anything else the public should know about Lydia Vance?

Brendan (Lydia Vance): We make good house pets! Thank you to all our friends and fans, and anyone who supports us. And especially YOU for interviewing us!

Songs about Books

Music and literature have influenced each other for a long time. “The Odyssey” is one ancient example of how music has been used to spread classic stories. In the 20th century, music and literature began to grow apart, as the major art forms diverged and multiplied into many separate genres. Recently, there has been less celebration of classic literary works through song as musicians become more involved in their own stories (which are many times equally interesting.) Even poetry has lost its mainstream popularity, as the rich rock star became the preferred hero of teens and adults everywhere.


The classics of music and literature remain to be interpreted in interesting ways by both writers and musicians, and it is completely appropriate that celebrated contemporary literature be expressed through music. Some recent artists are taking part in the long history of telling classic tales through music. These musicians take the most celebrated and exciting literature of the last decade and express these timeless stories in song, and they do this with flare and originality.


Take, for example, the Gothic Archies. The Gothic Archies are best known by kids and their extremely fortunate parents who listen to Lemony Snicket’s “A Series of Unfortunate Events” on tape. The Archies are lead by Stephen Merrit of the 6ths and Magnetic Fields, but the Archies are somewhat more musically dark than these other bands. This is not to say that the Archies’ music is depressing, although that seems to be exactly the point of songs with titles like “Smile! No one cares how you feel”, “The World is A Very Scary Place”, and “Scream and Run Away.” These songs are actually filled with dark humor, like Lemony Snicket’s books. The monotone delivery and the echoing music recalls Joy Division and only adds to the creepy fun of the Gothic Archies’ songs. Most of the lyrics revolve around the trials and tribulations of the Baudelaire children, the heroes of “The Series of Unfortunate Events.” I would recommend that any fan of Lemony Snicket’s books listen to the Gothic Archies, and that anyone who isn’t a fan of “The Series of Unfortunate Events” buy the new album “The Tragic Treasury”. The music really does complement the books, but it is just as interesting on its own.


Another example of literary rock stars are local cult favorites, Harry & the Potters. As their name implies, the Potters sing about the magical adventures of one popular boy wizard. They’re surprisingly good at what they do, capturing the pressures of adolescence that are so prevalent in the Harry Potter books and turning them into finely crafted rock songs (including a lighter friendly ballad “Save Ginny Weasley.) The number of bands influenced by the “Harry Potter” books is immense and not surprising given the book’s popularity. A quick search of Myspace shows such wizard-worthy musicians as; Ginny & The Heartbreakers, The Whomping Willows, The Hungarian Horntails, The Parselmouths, Dobby & The House Elves, The Moaning Myrtles, Romilda Vane & The Chocolate Cauldrons, The Wands, The Bandon Banshees, and Hollow Godric among others. Harry & The Potters even have an evil nemesis band in Draco & The Malfoys who proclaim “Evil Wizard Rock Love!” on their Myspace homepage.


It is obvious from the sheer number of musicians interested in writing about contemporary classics that the interpretation of literature through music is not dead, and has even forged new territory with the celebration of excellent children’s books. People are still being effected everyday by stories told in books and in song, and music and literature continue to effect and influence each other greatly.

The Boston Dolls

The Dresden Dolls are not a new band, in fact they’ve been the underground darlings of the Boston alternative scene since at least 2004. Known for their niche market of German influenced punk cabaret, the Dolls put on an exciting live show and write interesting, humorous, and catchy rock songs. “Coin-Operated Boy”, “Girl Anachronism”, “Sing”, and “Backstabber” are played regularly on local radio stations, and the Dresden Dolls have won numerous BMAs, were mentioned in Rolling Stone magazine, and recently toured with the MTV love-boys Panic! At the Disco.


Despite their popularity in such a seemingly normal city as Boston, the Dresden Dolls consistently push the envelope with their songwriting. The Dresden Dolls combine the catchiness of Broadway with the nonconformist tendencies of punk rock, and a passion for thought-provoking lyrics with a certain flare for drama.


Amanda Palmer who’s in charge of piano, vocals, and lyrics, and Brian Viglione on drums are audacious and dramatic, crying out for your attention like a goth kid with food coloring blood stains painted under his eyes. Bold is a word that readily comes to mind when listening to the new single “Backstabber”, Amanda Palmer’s feminist anthem to the male chauvinists of the rock world that is as powerful and poignant as anything Kathleen Hanna (Le Tigre) has written. Yet, what really captures your attention as you listen to the Dresden Doll’s music isn’t the boldness of the songwriting and delivery, but the echoing emptiness between the loud statements. The staccato beats of the drums and the percussive use of the piano and vocals leave an emptiness around the music, and, like the best literature, the white space that surrounds the sentences is just as important as the written statement.


The Dresden Dolls do not create flavor of the moment music, they are serious and challenging and they have a message beyond the obvious dress in black and shave your eyebrows. The Dresden Dolls are trying to say something and they deserve your attention, so open your ears and listen to the whole song.

Welcome to the Circus

The musical circus that is. A place where vocal acrobats take hold of the microphone and everyone seems to be acting like a clown. Justin Timberlake is sounding more like Michael Jackson by the day (not necessarily a bad thing!) and The Killers have somehow turned their Las Vegas glam-rock into slightly harder glam arena-rock with lyrics about small-town life (not something I’m complaining about.) Even if you’re enjoying the recent carnivalesque musical landscape, it’s nice to know there are a few bands you can always count on to be weird.


The Lemonheads: These guys have been around for a long time, and the latest incarnation just dropped a self-titled album in September. Evan Dando writes pop-punk that is probably most reminiscent of the Smoking Popes; pretty, witty, and charming. This new incarnation is as good as the first. Dando delivers his lyrics with the sound of vocal boredom (perfected by NPR news anchors) and throws in a psychedelic riff or two. “The Lemonheads” sounds like the kind of album you’d listen to at a party in Munchkinland where everyone is pogoing and singing along in a high voice.

The Munchkin Party Anthem: “December”.


The Hold Steady: I’ve mentioned this band before, but they’re worth mentioning again. Craig Finn delivers his mostly spoken-word vocals with a certain anger and cynicism that pays homage to Jello Biafra, and although the lyrics are not as politically clever as the Dead Kennedys’ they are clever in their own way. The Hold Steady include minute details in their songs; old friend’s names, code-like references to personal incidents, things that I could never hope to fully understand. The truth in these songs; feelings of teenage angst, boredom, anger, and confusion, resonate loudly despite and perhaps because of these individualized tales of youth. The point of the album seems to be that despite the differences and the details, everyone feels these emotions when they’re growing up.

Best Teen Anthem: “The Swish”


The Go! Team: Combine spastic cheerleaders, cartoon theme songs, and the Supremes and you get The Go! Team. This band seems to be trying to convey the message of sunny, happy people chanting over backbeats everywhere. Basically, The Go! Team is the only band I’ve heard who can pull off such a quirky genre combination and not sound ridiculous. Not that ridiculous is necessarily bad, it’s just that these guys retain their street-cred while they’re screaming like cheerleaders. Now that’s talent.

Best Hip-Hop Cheerleader Anthem: “Ladyflash”

Rock Me Amadeus!

I can’t think of a time in my life when I didn’t know the name Mozart. Mozart is to classical music what Elvis Presley is to rock n’ roll, and yet for the longest time I knew next to nothing about the man and his music. His music is practically inescapable in our pop-culture world and I wouldn’t have been able to name one of his symphonies a year ago if you’d asked me. It’s sad, but although I’m a huge music fan I’ve never taken a real interest in composers until just recently. I think this is probably true of a lot of people in my generation, we can tell you the high school nickname of Kurt Cobain, but our musical knowledge of the time before the late 1950’s is seriously lacking. This is why I’m going to introduce you readers to the great composer, Wolfgang Amadeus Mozart.

To fill in a few blanks Mozart was born in December of 1755 in Salzburg, Austria to extremely devoted parents. His father, Leopold, was a musician who worked for the archbishop of Salzburg and encouraged his son from an extremely young age to pursue a musical career. Amadeus was a child prodigy, a genius if you will, who composed from the age of five. In his short life-time (he only lived to 35) Mozart composed an astounding number of works large and small, including the famous operas Le Nozze di Figaro (the Marriage of Figaro) and Don Giovanni.

Musicians at the time were not expected to write music to express themselves, they were expected to write entertaining pieces that captured the spirit of emotion. I don’t believe that Mozart always wrote music coldly, as a way to capture emotion instead of expressing it, especially since his pieces can soar happily or be completely heart-wrenching, yet he was not expected by his peers to express his own emotions. We can never truly know what Mozart felt while he was writing, but it is fun to speculate as you listen to his music.


A few of my favorite Mozart pieces are:

Symphony No. 25 in G Minor, KV 183 (173 dB): Allegro con Brio

Figaros Hochzeit KV 492 (The Marriage of Figaro): Overture

Serenade No. 13 in G Major, KV 525

Symphony No. 40 in G Minor, KV 550: I. Allegro molto

Sonata for Piano No. 11 in A Major, KV 331: Alla Turca, Allegretto

Concerto for Piano and Orchestra No. 21 in C Major, KV 467

Sonata for Piano No. 16 KV 545: Allegro


These are all popular pieces and you might be surprised by how many you’ve heard before. If you’re really intrigued by Mozart’s music you should also watch the movie Amadeus. It’s a gorgeous movie and there is some truth to it, but much of the story told in the movie is unreliable as a biography. Just watch and listen for fun. Even if you aren’t a big classical music fan, I swear you’ll have fun listening to Mozart.

Brandi Carlile

With little originality in the singer-songwriter genre lately it is refreshing to hear Brandi Carlile, a musician who fits perfectly into the singer-songwriter category but has a raw sincerity that’s lacking in much of the genre.


On her self-titled debut, Brandi exhibits raw vocal talent, the product of self-training, and an emotional sincerity that lend truth to her music. Her songs are perfect for fall rides, full of country imagery of rolling prairies and tall green grass set to a soundtrack that would be welcome on any Prairie Home Companion. On standout songs like “Throw it All Away,” “Closer to You,” and “Tragedy,” Brandi’s voice brings to mind the late, great Johnny Cash, who seems to have influenced this beautiful collection of tracks. Though Brandi Carlile is a native of Washington state, her music lacks any hint of grunge influence, which bodes well for Brandi whose voice soars on the light sound of acoustic guitars and stringed instruments.


The 23 year old is finishing up a tour and may be in the studio now recording her follow-up album. Miss Carlile holds much promise as a new artist, and will hopefully continue to make great music for years to come. You can listen to tracks from Brandi Carlile’s debut and read more about Brandi here: Brandi Carlile.

Teenage Rock Gods

Listening to Gone By Daylight's 2005 record "Love Grooves" for the first time you can't help but think that Blink-182 influenced these boys in a big way. The pop-punk catchiness and the lyrics about love, lust, and broken hearts seem trite on the first listen, a pity because the true strength of the album lies in the band's ability to quilt songs from different types of rock including pop-punk. But behind the catchiness is a depth of songwriting that can only be found in a band that knows its music history. The seemingly simple blues guitar sound in a live set or the crackling riff that finishes off "Girl Without A Soul" are rock staples that harken back to the kings of blues (Muddy Waters, Robert Johnson) whose music influenced the guitar gods (Jimi Hendrix, Jimmy Page) whose influence, in turn, can be heard in the music of Gone By Daylight.

The most endearing thing about Gone By Daylight isn't their ability to craft these songs that are so comfortable (like your favorite jeans!) No, the thing that really makes you love these boys is their ability to carry this history lesson live, and make it incredibly fun to participate in. Live Gone By Daylight not only pays homage to rock gods, but also to all the kids who ever wanted (are wanting now) to be rock stars when they grow up. There's something about these guys that instantly makes you think of the 10 year old doing Pete Townshend windmills in his bedroom mirror and every 14 year old boy who ever said to himself 'what would Eddie Van Halen do?' These things make Gone By Daylight a fun band live and I'm sure an excellent party band. They have the humor and the class to match their stage antics and a knowledge of music history that adds depth to their songs, plus who doesn't like a little old-school rock charm mixed with their punk? It makes live shows that much more interesting.

Interactive Reviews

Just a little update for anyone who's noticed the recent changes in this blog!

I've been working on an idea for awhile to create more of a local online music community that doesn't revolve around Myspace. It will include interactive reviews which are comments on this blog, comments on my reviewing prowess, recommendations from peer readers, etc. It should make things more fun around here.

This blog has evolved so much in a year, from open pour-your-heart-out diary (most of those posts are deleted) to a music review/recommendation site, and now it will be more interactive.

Watch for updates in the future and thanks for reading!!

-Music Snob

Boss Volenti & my new LOVE

I was cruising Myspace and I found this Dublin band that sounds like it should come from Cali or Washington, but definitely not Dublin. They just sound like Dublin (I don't really know what that is, but I suspect Irish accents are involved.) Check 'em out! They have a cool sound, pretty straight-forward rock 'n' roll, but something you can shake your ass to. Listen Here: http://www.myspace.com/bossvolenti


I guess I'm slow on the uptake or something, because I finally found THE SHINS!!!

I've known about them forever (it seems), but I've been kind of slow to jump into that soft, creepy-like-a-ghost-town sound that they have going on. Now, I want all of their albums including the one they're releasing in January. "New Slang" is obviously an amazing song, and I've heard it for years, but it never really struck me until I watched "Garden State."

Zach Braff changes things I guess...so I have a little crush, so what? Let me get back to my Shins, and if you haven't REALLY listened yet, go out and buy the album (Oh, Inverted World.) Wicked awesome.

- Music Snob

Ok Go - Here It Goes Again

height="256">Buy OK Go - Oh No at iTunes.