Miss Carlile, why are you so damn awesome?

I love every note of every song this woman sings. Brandi Carlile is amazing, and if you get a chance, you should listen to her new song "The Story". It starts off as a quiet tune, country-tinged, and then it spins into a full-blown storm of a rock song where Brandi belts like Janis. "The Story" is this week's free download on iTunes. Her new album is released on April 3rd, and I hope all of the tracks are as gorgeous as this first single.

Here's Carlile's touring schedule:

Mar 30 2007 6:00P Triple Door Seattle, Washington

Mar 30 2007 10:00P Triple Door Seattle, Washington

Mar 31 2007 7:00P Mississippi Studios Portland, Oregon

Mar 31 2007 10:00P Mississippi Studios Portland, Oregon

Apr 2 2007 7:30P Great American Music Hall San Francisco, California

Apr 3 2007 8:00P Troubadour West Hollywood, California

Apr 4 2007 10:30P Tonight Show with Jay Leno Los Angeles, California

Apr 6 2007 8:30P The Casbah San Diego, California

Apr 7 2007 7:00P Rialto Theatre Tucson, Arizona

Apr 10 2007 8:00P Bend Studio Dallas, Texas

Apr 11 2007 8:00P The Parish Austin, Texas

Apr 12 2007 8:00P University of Arkansas Chi Omega Greek Theater Fayetteville

Apr 13 2007 8:00P The Parish at House of Blues New Orleans, Louisiana

Apr 16 2007 7:00P Work Play Theater Birmingham, Alabama

Apr 17 2007 7:00P Belcourt Theatre Nashville, Tennessee

Apr 18 2007 8:00P Newby's Memphis, Tennessee

Apr 19 2007 7:00P Variety Playhouse Atlanta, Georgia

Apr 24 2007 8:00P Birchmere Alexandria, Virginia

Apr 25 2007 6:00P World Cafe Live Philadelphia, Pennsylvania

Apr 26 2007 8:00P Bowery Ballroom New York, New York

Apr 27 2007 8:00P Bowery Ballroom New York

Apr 27 2007 11:30P Late Show with Conan O'Brien New York, New York

Apr 28 2007 5:30P Iron Horse Music Hall Northampton, Massachusetts

Apr 30 2007 7:00P Recher Theater Towson, Maryland

May 2 2007 7:00P Higher Ground Showcase Lounge South Burlington, Vermont

May 4 2007 7:15P Music Hall Portsmouth, New Hampshire

May 5 2007 8:00P Paradise Rock Club Boston, Massachusetts

May 7 2007 8:00P Horseshoe Tavern Toronto, Ontario

May 8 2007 8:00P House of Blues Cambridge Room Cleveland, Ohio

May 9 2007 7:30P The Ark Ann Arbor, Michigan

May 11 2007 9:30P Schubas Chicago, Illinois

May 12 2007 9:30P Schubas Chicago, Illinois

May 13 2007 8:00P Schubas Chicago

May 15 2007 7:30P The Music Mill Indianapolis, Indiana

May 16 2007 7:00P Shank Hall Milwaukee, Wisconsin

May 18 2007 8:00P Varsity Theater Minneapolis, Minnesota

May 19 2007 8:00P Varsity Theater Minneapolis, Minnesota

May 22 2007 8:00P Fox Theatre Boulder, Colorado

May 23 2007 8:00P The Big Easy Boise, Idaho

May 24 2007 8:00P Big Easy Concert House Spokane, Washington

Why do music snobs get a bad name?

I don't understand why people hate us sooo much!!

This is a very funny site that everyone should check out: Urban Dictionary

Look up your town and anything else you'd like to laugh about!

SMALLVILLE

Besides absolutely loving Smallville, I also love a ton of the music they use in the soundtrack. Check out these mad selections:

"Save Me" by Remy Zero. The opening track that blasts into your brain. Remy Zero sounds like U2 in a tornado, and the lyrics are completely appropriate for Smallville, a show that follows the teenage years of America's most popular superhero.

"Love You Madly" by Cake. I'm a fan of these guys, because they make music that truly sounds like nothing else I've ever heard. This song is a swinging pop confection perfect for summer days.

"We're At the Top of the World" by Juliana Theory. These emo boys' only hit is a song filled with "sha la la las". Cute, but also pretty.

"Bid Day" by Puracane. This song is almost what you'd get if you mixed Dido and Mazzy Star with the Sneaker Pimps. Electronic, but smooth.

"No Such Thing" by John Mayer. My favorite Mayer song, and the major reason I continued listening to his music after the "Your Body Is A Wonderland" fiasco. I love the lyrics, and I love that he delivers them with sincerity. This should go on every high school soundtrack.

"Don't Ask Me" by Ok Go. Before these guys made it big with treadmills, they had this song. Saccharine and snarky, I love every minute of this music. Here's an example of some ridiculously fun lyrics:

"Quit acting so friendly.
Don't nod don't laugh all nicely.
Don't think you'll up-end me.
Don't sigh, don't sip your iced-tea.
And don't say, 'It's been a while...'
And don't flash that stupid smile.
Don't ask me how I've been."

" Here By My Side" by Steve Harris. Harris's voice is worn and sounds real over the jazzy music. I tend to enjoy vocals that sound like they're attached to someone who has lived a long life. This is a pretty song.

"Take Me Away" by Lifehouse. Lifehouse is a staple on Smallville, which makes sense because all of their songs are about connection. It doesn't matter if the lyrics are about their connection to other people or to God, because they can apply to both and mean a hell of a lot in either situation.

"In A Young Man's Mind" by the Mooney Suzuki. I love the Mooney Suzuki's garage rock. This song does double-duty of entertainng you and reminding you that in Smallville, Clark Kent is still just a teenage boy.

"Mad World" by Michael Andrew & Gary Jules. A quiet cover of the Tears for Fears hit from the '80s. I never really noticed the lyrics, until I hear this song which tones down the music and highlights the words. It's really sad and beautiful.

"Don't Dream It's Over" by Sixpence None the Richer. This is absolutely my favorite song by this band, and it's a cover. They do a really nice rendition, perfect for rainy day car-rides.

"The Scientist" by Coldplay. This is really the only song I enjoy by Coldplay. I've never bought into the hype surrounding this band, because I find most of their music boring. This song is the exception to the rule. The empty space around the piano is the nicest part of the song besides the lyrics. The music rings in the space between the piano and vocals.

"Diamonds and Guns" by the Transplants. The absolute best part of the Garnier Fructise (sp?) commercials, and the only song by the Transplants that I enjoy. Tim Armstrong really broke away from his Rancid ties on this track, while achieving something new and interesting.

"Swing, Swing" by the All-American Rejects. This song is the first emo crossover for those rejects. I love the music, despite myself.

"Better Days Will Come" by Tahiti 80. Another pop convection and high school celebration song. Why don't they play this stuff on pop radio? It's the kind of music that makes me happy.

"Meltdown" by Ash. I love this British rock band. Their music is catchy and pure rock fun. "I think my head, my head is gonna explode!"

"Finding Out True Love Is Blind" by Louis XIV. These one hit wonders burned up alternative rock radio in the summer of 2005 with this blistering track. Most of the track had to be bleeped out on the radio and it was STILL a hit. I love it, because it's ridiculous.

Going Out to the Country (Sorta)

I’m a fan of lap-steel, rebel-country swing, “Free Bird” style guitar ramblings, and mountain bluegrass jams. Like most of my musical favorites, my country music picks aren’t necessarily the most popular. Even when the music is made by popular bands, most people don’t admit listening to the songs I enjoy. I’m not a particular fan of Taylor Swift or Rascal Flatts, but I do enjoy the Old 97’s and the Dixie Chicks. I love the instrumentation, the careful guitar playing, and the lyrics (when they make sense.) Here are a few bands that use the country music influence to their advantage:

Great Lake Swimmers mix country music with soft-spoken folk vocals, and hit gold on their new release Ongiara. The first song “Your Rocky Spine” keeps a steady rhythm guitar going in the background while the melody dances all around. The lyrics are reminiscent of a less popular and less obvious “Your Body Is A Wonderland.” “Changing Colours” sounds like it’s sung by Mazzy Star and played smoothly like a lullaby. The oddest thing about Great Lake Swimmers is that they capture this country feeling from Toronto, Canada. But, I suppose their music isn’t really that odd when you remind yourself that Neil Young is from Canada.

Leroy Justice, isn’t a man with a ridiculously awesome name, it’s a band with ridiculously awesome music. They remind me of Johnny Lang mixed with an Apollo Sunshine that delves a little less in psychedelia. Their songs are all different, but the overall feel is one of joyous celebration in the face of pain. Yes, they get down blues style, but quite a bit of gospel is added into the bargain, and they swing like no other on the first half of their album (Revolution’s Son.) Of course, it all amalgamates into something newish and great to hear.

Check out these guys for now, and I’ll have more great music for you in the near future!!

I Feel Fine

Sometimes it’s okay to just feel okay. Life is not made of extremes alone. But I swear, by the time you finish this playlist you’ll feel awesome. Here are some songs for those transition days when you’re just not sure where you fit:

“Fear of Heights” by Apollo Sunshine. The band captures that feeling of transition from child to adult, and that balance you have to achieve in adulthood. What is maturity/adulthood, and as an adult when can you act like a child? Thoughtful and touching.

“I Feel Fine” by the Beatles. It speaks for itself, completely noncommittal.

“Watching the River Flow” by Bob Dylan. Very bluesy, but the narrator is fairly passive. He doesn’t know what he wants to say, he knows where he wants to be, but he’s just going to sit and watch because “this old river keeps on rolling, though. No matter what gets in the way and which way the wind does blow.”

“Keasbey Nights” by Catch 22. Remembering times that were not particularly happy, but still feeling nostalgic. I know the feeling. Old memories are comfortable, even if they are not particularly happy memories.

“Assholes” by The Damnwells. These guys seem somewhat resigned to the fact that “everybody grew up and turned into assholes”, but still bitter. This song is dead-on, I love the lyrics and the rebel-country swing. My favorite line is: “Is this what you call free? Is this why you keep bothering me?”

“The Long Way Around” by the Dixie Chicks. I didn’t like the Dixie Chicks until I heard their latest album. It moves beyond country music, and the lyrics are awesome. This song always makes me feel good. Someone else understands.

“(What’s So Funny ‘Bout) Peace, Love, and Understanding” by Elvis Costello. Can’t we all just get along? Everything doesn’t have to be a battle.

“Lullaby” by Jack Johnson and Matt Costa. I love this song, because it’s beautiful and comforting. These guys always make me happy.

“Save Your Generation” by Jawbreaker. Do you ever get completely frustrated with your peers? This song is good, because it addresses that frustration in a positive way. Best lyrics:
“There is plenty to criticize,
it gets so easy to narrow these eyes,
but these eyes will stay wide,
I will stay young,
young and dumb inside,
I’ve just begun to forget my lines.”

I also love, “your leap of faith could be a well-timed smiled.” I live by so many of these words.

“The Middle” by Jimmy Eat World. I’ve loved this song since the moment I heard the first lyric. The funniest thing is that this song made Jimmy Eat World famous. Either a ton of people feel this way, or no one pays attention to lyrics.

“Bigger than My Body” by John Mayer. I find so much of Mayer’s music inspiring. Besides being a great musician, he also writes some amazing lyrics. This song captures that feeling of wanting to soar, but running up against obstacles. The chorus is great:
“Someday I’ll fly,
someday I’ll soar,
someday I’ll be,
so damn much more,
‘cause I’m bigger than my body gives me credit for.”

“Rainbow Connection” by Kermit the Frog a.k.a. Jim Henson. Any other version of this song is stupid compared to the one sung by Kermit the Frog. He hits the sentiment dead-on, and doesn’t make it sound contrived. In many ways this is my theme song.

“Knowledge” by Operation Ivy. This song is succinct perfection. The moral parallels one of the great lines in my favorite movie (“Say Anything.”) Lloyd Dobler doesn’t know what he’s going to do with his life, “but at least [he] knows that [he] doesn’t know, you know?” I love Lloyd an I love Op Ivy. Here’s the best line imho:
“We get taught to decide,
just like,
as if,
I’m not gonna change my mind.”

“True to Your Heart” by Stevie Wonder and 98 Degrees. From the “Mulan” soundtrack (which I love, btw) this song always makes me feel good. Stevie Wonder’s voice is spiritual, and just the fact that the song goes along with the story of “Mulan” makes it awesome. Sing it in the shower!!

Django, The Man

Jean Baptiste “Django” Reinhardt - born January 23, 1910 in Belgium - is one of the most influential jazz musicians to come from Europe. Both violinist and guitarist, Django created a gypsy-jazz guitar sound influenced by his childhood spent in a gypsy camp near Paris. A guitar legend using a Selmer Maccaferi acoustic guitar for most of his life, Django’s brilliance came from his ability to solo and improvise around a steady rhythm. This talent was showcased on such hits as “Daphne” and “Minor Swing.”


Reinhardt overcame more than a few obstacles in his career. In the early years Django badly burned his hand, and throughout his life he was unable to read music. These trials did not stop him from pursuing the life of a jazz musician and becoming a legendary guitarist. For may years, Django played with violinist Stephane Grapelli, starting the The Quintet of the Hot Club of France in 1934. The Quintet played original tunes as well as covers of Louis Armstrong hits enjoying a fairly successful run, but dissolved in 1939. Later in his career, Django toured with Duke Ellington in the United States, but was not met with much interest.


In 1953, Django died, a victim of stroke in Paris. After only 43 years of life, he had created a jazz guitar-playing style that would influence musicians across the globe for years to come. Oddly enough, Django’s music has been featured in such movies as Chocolat and The Matrix Reloaded. Despite his poor welcome in the United States, Django Reinhardt has affected American music with his infectious and unclassifiable guitar playing. Noted musicians from Carlos Santana to Jerry Garcia have claimed Reinhardt as an influence. My personal favorite Django Reinhardt tunes are “Rhythm Futur”, “The World Is Waiting For the Sunrise”, and “Menilmontant.”


For more information regarding Django Reinhardt, read his short biography on Allmusic.com or a longer bio on Wikipedia.org!

Warm Music for Cold Days

It’s cold, oh yes, very cold. This weather makes me want to hibernate, even my iPod is pissed off (do you guys ever notice your iPods freezing up in cold weather?) Anyway, I get angry at my “summer music” when there’s snow on the ground. It’s just so freakin’ peppy and sunny, like your friends who live in Florida and complain about 45 degree days. The real problem is that I don’t have a lot of “winter music” per se. I guess everybody starts dancing when they’re happy, and everyone is happy when they can feel their feet (pretty simple equation.) Maybe if people embraced the happy funky music of the world and started moving in the winter months, instead of turning into Oscar the frozen grouch and climbing back in bed, everyone would be a lot happier and a lot warmer. Here’s some music for testing my theory:


Bonfires of Sao Joao by Forro In the Dark is a warm place to start, and utterly reminiscent of nighttime bonfires. It’s smoky, jazzy, and south of the border where forro is literally a form of dance and a fairly simple style of music. Forro In the Dark branches out, adding a few more instruments, some guest stars (Bebel Gilberto, Miho Hatori, and David Byrne.) It took me awhile to note the Talking Heads influence, but it’s definitely there, especially when you listen to the Heads’ later music where they bring in world beats. Bebel Gilberto adds a little tropical airy touch to the sound of “Wandering Sparrow” giving it a bit of Brazil. This is very warm music, some tango sounds, handclaps, and basically a sense of joy pervading the album.


Funeral by Arcade Fire was the soundtrack to my first day out of the house after a major snow and ice storm. I must say that you cannot truly appreciate this music until you’ve listened to it in the glow of the melting ice that pulls on trees and imagined actually being snowed in. It’s haunting and gorgeous, and you start to really understand the lyrics. No, this band won’t warm you up (they’re from Canada, what do you expect?!) but they can put a smile on your face when the weather outside is frightful.


Little Miss Sunshine (Soundtrack) by various musical talents is a ridiculously fun soundtrack. I have yet to see the movie, but if it’s anywhere near as good as the delightful Devotchka tunes (along with a little Sufjan Stevens, Tony Tisdale, and Rick James biatch) on the soundtrack, then it will be amazing. Especially fun is “Til the End of Time” by Devotchka, with soaring strings and marching drums. Hopefully, it will bring the sunshine back to everyone.


Finally, but certainly not least appreciated by any standards is the Aaron Copland masterpiece “Rodeo: IV, Hoe-Down” which can bring chills to your spine, but also evokes a day on the prairie. It’s pretty, and peppy, and happy, all of the things you need to wake up at 6:30 AM on a chilly winter morning. Don’t waste hot water in your shower, listen to hot music (but please shower also)!

Jamming

Whenever I’m asked to classify music I end up delving into a specific genre and just listening for hours at a time. I analyze and search for similarities, tracking influences and influences’ influences until my ears hurt. Although classification can trap bands in certain genres, it can also help the listener learn about musical history and the true interconnectedness of all music.


I was recently asked to explain the jam band genre, the first bands that came to mind were the Grateful Dead and Phish, but as I listened, searched, and read about jam bands I realized how many different kinds of music have influenced jam bands. Jazz, reggae, ska, rock, blues, country, pop, bluegrass, metal, funk, gospel, and psychedelic, are all types of music that have influenced jam bands, directly and/or indirectly. The world seems a little bit more balanced when such diverse art forms can be celebrated together. Here are some jam bands worth listening to and their influences:


Moe. lists such obvious influences as the Grateful Dead, Neil Young, Jimi Hendrix, the Beatles, the Rolling Stones, and the Velvet Underground on their Myspace. They also list the Clash, Stereolab, Van Halen, and Kiss which are a bit less obvious. On “Captain America” I can hear Parliament and the Red Hot Chili Peppers in the bassline. “Okayalright” has a southern rock feel reminiscent of Lynyrd Skynyrd, the Allman Brothers, and, more recently, the Black Crowes. “Threw it All Away” sounds like some weird Zappa concoction, but it also sounds like the Specials and even the Police. I’ve never been a huge fan of Moe., but when I listen to their music with my head, they impress and surprise the music snob within.


Umphrey's Mcgee is another jam band that’s garnering well-deserved praise and attention on the scene. They’ve taken the art of improvisation and soloing to a new level on their latest album “Safety in Numbers.” Only four of the twelve catchy songs below four minutes, but they’re so fun that they capture your ears for the entirety of the song. It’s important to note that soloing didn’t originate in rock music, in fact, early rock ‘n’ roll was short and fast (Buddy Holly, Chuck Berry, etc.) Soloing actually became popular in jazz music, where all musicians in a trio or quartet received a solo during a song to show of their musical prowess. Umphrey’s Mcgee and all jam bands owe their allegiance to pioneering bebop jazz musicians like Miles Davis, Dizzy Gillespie, and Charlie Parker, who stressed skillful playing over danceability. Umphrey’s Mcgee are working hard to create thought-provoking music that has rich instrumentals and lyrics, and they’re doing a beautiful job.


The Slip are chameleons of music; jamming live and grooving on their CDs, but never really assuming the shape of any genre. They pull together the sounds of jazz, popular music with jangly Beatlesesque grooves, and put out music that’s both psychedelic and mainstream (well, maybe not Black Eyed Peas mainstream, but mainstream enough to be heard on Grey’s Anatomy.) These guys create a musical entity that will effect bands of the future, and is effecting bands as we speak. They deserve your respect just for making music that’s undeniably worth your time.

Keeping My Homies Ahead of the Game

I’m horrible at being ghetto, but that’s not the point. The point is that I’m good at finding awesome tunes to keep my friends occupied. Maybe it’s a sixth sense, or some superhero power I gained when I was exposed to radiation, or maybe it’s just a talent. Although I can’t begin to explain my superhuman abilities, I can use them for the greater musical good.


The new supergroup, The Good, The Bad, and the Queen, may have a ridiculously long name, but they make music that’s at least as ridiculously good. “Kingdom of Doom” has odd guitar noise and a steady bass line that lends it an eerie British sound. It sounds like the Gorillaz slamming out rock songs in a haunted Victorian house. On the rest of their debut, they bounce out reggae beats (“History Song”,) techno music with bumpy piano (“Herculean”,) and sprightly piano with bouncy, yet mellow guitar (“80s Life.”) Listen to their whole album on Myspace.


Being the little pushover that I am, I can’t help but wait with briskly beating heart for the new Fall Out Boy release, “Infinity on High.” The boys know where to place a hook, and they’re just so darn cute, plus, based on the song “Carpal Tunnel of Love” their new album will be the break up album of ‘07. Just a little heads up to all my emo friends (you know who you are!)


I’ve been infected by the Lily Allen bug. Her music is bubble gum, pure musical candy without nutritional value, but worth your time just for the fun you’ll have listening to her snarky commentary on relationships (“Smile”) and Kate Moss (“Everything’s Just Wonderful.”)


For fans of local music, Boston’s female fronted band My Little Radio will be hosting their CD release party at TT the Bear’s on February 2nd. For people who don’t know My Little Radio’s music, it sounds kind of like Flyleaf meets Paramore, and absolutely nothing like the fabulous Dresden Dolls.


Sometimes when a band or artist has a lot of chatter circulating online and blurbs in big magazines, when everyone seems to hear something different in their music, I don’t hear anything. I have a horrible time trying to find something interesting in music that everyone else seems to be touting. After a little break from the gossip, I can usually find something I like about any kind of music. Here are a few good bands/musicians I’ve ignored in the past because they were already receiving a ton of buzz:

Cold War Kids

Brett Dennen

Death From Above 1979 (no longer together)

Iron & Wine (Like I’ve said before, I was late on the whole Garden State thing.)

KT Tunstall

The Raconteurs

Los Abandoned

Old Crow Medicine Show


I want to finish you guys off with something old yet exceedingly interesting; Hobbit. Yes, they’re named after the race of miniscule hairy beings from the J.R.R. Tolkien books. Yes, all of their songs are about the plots of said books. Yes, they are a cheesy prog rock band. But if it weren’t for these three little things, Hobbit would be huge. They basically rip off Led Zeppelin, but then what self-respecting rock band doesn’t?

Sun Gods Rock '06

I had few expectations for my last concert of 2006. Despite the fact that Apollo Sunshine is one of my favorite bands, I’ve been disappointed by their shows in the past. Yet, I can honestly say that this last show was the best I’d seen all year. There was an atmosphere of excited expectation; the crowd was ready, and as the music progressed more people parted ways with their egos and unabashedly screamed the lyrics.


Opening ska band, Captain Mojo and the Cat’s Pajamas rocked the local crowd and inspired an impromptu skanking circle. Their music was undeniably fun and they play their instruments well, an uncommon talent in young ska bands. Baker followed Captain Mojo, and although new to most of the crowd, they certainly deserved every approving shout they received (quite a few.) A lone beat-boxer performed before the headliners, and despite his lukewarm welcome, boxed formidably. I was more than pleasantly surprised by the talent of all these artists, so when Apollo Sunshine graced the stage with their massive presence I was pretty excited.


Apollo Sunshine can put on a show. Starting with fan favorites “Phoney Marony” and “Today is the Day,” the crowd quickly acclimated to the sound and danced throughout the show (even improvising their way through lengthy guitar, keyboard, and drum solos.) Jesse Gallagher, Sam Cohen, and Jeremy Black played many songs from their first album, Katonah, including “I Was On The Moon,” “The Egg,” and “Mayday Disorder.” After an amazing set, the boys returned to play an encore that probably lasted twenty minutes. This consisted of three songs from their latest self-titled CD, “Eyes,” “Lord,” and “Phyliss.” For their final song Apollo Sunshine were joined onstage by many guests including all of Baker. The multiple musicians gathered around the drum set, banging on percussion instruments, throwing guitars, and adding to the chaos that is “Phyliss.” When the lights turned on, the crowd seemed in a musical coma, we slowly found our bearings and our jackets, and trudged into the cool night air.

Looking Forward

Very few albums are released in the weeks after Christmas and New Years, but despite the temporary lull, 2007 will be a big year for music. Like ‘06, ‘07 will be a year of big names (Red Hot Chili Peppers, Justin Timberlake, Bob Dylan, Jay-Z) and surprising hits (The Fray, Gnarls Barkley, The Raconteurs, O-ZONE.) There’s a lot to look forward to, and plenty to be weary of in the world of music, but one thing is certain, ‘07 will be an interesting year.

At the end of January, Norah Jones will drop the appropriately titled “Not Too Late.” I was a bit underwhelmed with her second album, “Feels Like Home”, because she didn’t really seem to break from the mold of “Come Away With Me.” Yes, the album was pretty, but I just expected more from Jones. I think Jones, like Mayer, needed a little time to figure out what her “sound” actually sounds like. I’m encouraged to try this new album, based on my knowledge of Norah’s side projects. She’s most definitely branching out, working with Peeping Tom (a.k.a. Mike Patton) on “Sucker,” a song far from any dinner party soundtrack. Her work with the Little Willies was also an encouraging break from the world of “adult contemporary.” With the Willies, Norah covered country favorites and a few rock songs. She also appeared on “Virginia Moon,” a song from the latest Foo Fighters album. These various projects lead me to believe that Jones is experimenting, and, in my opinion, experimentation is what she needs to give her music new life.

Coming out a little earlier than the Jones release is the Shins’ latest, “Wincing the Night Away.” Based on the single “Phantom Limb,” the Shins have branched out again, but retained the sound that makes them different and exciting. “Phantom Limb” is jangly, yet substantial. It’s reminiscent of the ‘60s, but also very much a product of its time. I honestly don’t know what to expect from the Shins’ third release. The Shins did not succumb to the infamous sophomore slump, they’ve consistently made good music, and I am keeping my fingers crossed that “Wincing the Night Away” will surprise and delight me as much as “Oh, Inverted World” and “Chutes Too Narrow.”

The Shins and Norah Jones are the artists whose music I await with the most anticipation during the month of January, but I don’t want to look too far into the future. Personally, I enjoy a few surprises through the year.

Reaching Back (Rediscovering Old Favorites)

Sometimes, I become overloaded with new music. I just can’t process all of the new sounds that I hear, and I have to take a break and listen to something comfortable. I’ve found that even when I’m completely sick of the “usual” (which changes very often, but is generally sprinkled with Rancid, The Specials, Led Zeppelin, Green Day, The Cars, etc.) I can find something classic and unexpected that makes the world feel right. These songs are the “homemade macaroni and cheese” of music; it’s comfort food for your ears.

“I Want You To Want Me” by Cheap Trick. It’s one of those songs that fits any mood. If you’re feeling good the beat matches your upbeat mood, and if you’re feeling low the lyrics are perfect for drowning your sorrows.

“Rudy Can’t Fail” by The Clash. This song is absolutely classic. The Clash bring in so many influences musically and the lyrics are great on this tune. Ska horns and a point; just because your life works for you, doesn’t mean it’s the life for me.

“Boxcar” by Jawbreaker. I happened upon this band about a year ago, and had to ask myself why they hadn’t garnered more recognition during their career. Green Day lifts the tune for “She’s a Rebel” and the lyrics tell a similar story. It’s short, but sweet.

“Voodoo Child (Slight Return)” by Jimi Hendrix. It’s an obvious classic. Get lost in Jimi’s guitar.

“Spin” by Lifehouse. One of the few Christian bands that I absolutely love. I think what sets Lifehouse apart is their ability to craft music that applies to all lifestyles (Christian or otherwise.) The lyrics are great.

“Time” by Pink Floyd. “The Dark Side of the Moon” is an amazing album and this song absolutely sums it up for me. One Winter, I listened to it on repeat (think about that, seven minutes on constant repeat.)

“Strong Enough” by Sheryl Crow. I’m not always a Sheryl Crow fan, but this song is absolutely beautiful. It breaks my heart, and then mends it.

“The Sound of Silence” by Simon & Garfunkel. I love when things that seem completely different are connected, so I was blown away when I realized that Rush uses (and slightly changes) a verse from this song. The lyrics are amazing and I love the percussion. If you were wondering about those lyrics, here they are:

“...And the signs said, the words of the prophets
Are written on the subway walls
And tenement halls
And whispered in the sounds of silence.”
- Simon & Garfunkel

and

“...For the words of the profits were written on the studio wall,
Concert hall
And echoes with the sounds of salesmen.”
- Rush

“Funky Kingston” by Toots and the Maytals. This song is just unbelievably fun to listen to. It builds and builds into this monster of a ska tune.

“Baba O’Riley” by the Who. It doesn’t matter what time of day, week, year, decade; what kind of mood I’m in; or what kind of people I’m with, I will always listen to this song. “I don’t need to be forgiven.”

Happy New Year!!!

Check this out: http://music.aol.com/artist/o-zone/310147/main#

Watch the "Dragostea Din Tei" video and laugh your ass off!!



HAVE AN AWESOME NEW YEAR!!!

"The Best Way of Spreading Christmas Cheer, Is By Singing Loud For All To Hear!"

I’m a fan of Christmas music, mostly because, by and large, it’s happy music. People don’t usually write Christmas music about broken hearts, deceased family, and war (although it isn’t unheard of; “Happy Christmas (War is Over)” and “Last Christmas” are two popular examples.) The month of December is one time of year when you’re allowed to be silly and happy, instead of the usual required cultural attitude of jaded and ironic cynicism.

I do have Christmas music likes and dislikes. I’m a big fan of laid-back jazz Christmas music. The Vince Guaraldi Trio’s “A Charlie Brown Christmas” album is an example of one of my personal favorites, it’s classic without being kitschy, and it has the added benefit of being music that can be enjoyed throughout the year. I also like the standards, Frank Sinatra, Judy Garland, Ella Fitzgerald, Nat King Cole; all great voices with character. Stevie Wonder, lends a spiritual and soulful feeling to all of his music, so when he sings “What Christmas Means to Me” you know he’ll make it meaningful.

You’ll find a few oddities in my collection, but nothing less than genius. Take for example, “Christmas in Hollis” by Run-DMC. It’s the only holiday rap song that I know of, although I don’t pretend to know everything. Being punk (and Jewish) didn’t stop the Ramones from making a Christmas song, and “Merry Christmas (I Don’t Wanna Fight Tonight)” certainly takes three-chord punk to a different level. Also on my list is the classic “Father Christmas” by the Kinks, which is a rocking packet of holiday-flavored social commentary.

Of course, you can also find some closet Christmas music in my collection. I’m an unabashed fan of Mariah Carey’s “All I want for Christmas Is You”, Destiny’s Child’s “8 Days of Christmas”, and Jose Feliciano’s “Feliz Navidad.” My new favorite Christmas song is from The Polar Express soundtrack, “Believe” by Josh Groban, and I’m not sure if it’s the lyrics or Josh’s voice that make me tear up (from an overabundance of happiness) whenever I hear the song.

A couple of Christmas songs I dislike? Well, “Dominic the Donkey” is pretty annoying and “All I want for Christmas is my Two Front Teeth” gives me a headache. The worst Christmas song, in my humble opinion, is “The Christmas Shoes” by NewSong . I don’t dislike it because it’s country music, I dislike it because the story is sad, sappy, and contrived. Rudolph and Frosty don’t bother me in the least, but indie Christmas music kind of creeps me out. I don’t have any good reason for disliking indie Christmas music, it just gives me a weird feeling. I guess it’s like emo kids trying to be happy, it just feels wrong.

Merry Christmas to all my readers! Leave me your thoughts and personal Christmas favorites. If you don’t celebrate Christmas, pick another holiday themed song or even a song centered around the winter season and share with your favorite blogger (me)!

I Love Alliteration!!

Which makes me love Tally Hall's album, "Marvin's Marvelous Mechanical Museum" even more. Once in awhile, maybe every year, I come across an artist that just makes me think 'Wow, was I under a rock? How did I miss these guys?' Usually, I'm just a little bit ahead of the game and I get to watch (and sometimes help) these artists grow in popularity, spreading their beautiful music to the masses. Lately, it's been Apollo Sunshine, Zox, and Gogol Bordello and, I'm hoping it will now be Tally Hall.

"Marvin's Marvelous Mechanical Museum" reminds me quite a bit of Apollo Sunshine's "Katonah." I think this similarity is due to the fact that both bands experiment with their sound throughout the album. Tally Hall's opening tune, "Good Day" includes robotic/operatic vocals, piano, rock guitars, and some random blasting sound effects that caused me to believe my headphones were broken. Not to imply that it is anything but fun to listen to "Good Day", it initiates you in the odd Tally Hall world, while making your ears happy. The second song, "Greener", is almost more jolting than the opener, given it's tendency to sound "normal" at first listen. When you really listen to "Greener", it's becomes obvious that it's only normal in the world of Tally Hall where random instruments make unexpected appearances every day. By the time you reach the third song you know you've really found something different! "Welcome to Tally Hall" is a rap song, with horns, all kinds of percussion, and a carnivalesque atmosphere that surrounds your ears.

The whole album makes me happy, and at this time of year it's a nice alternative to, well, anything on the radio. I've been informed by a good source that their live show is amazing. I would definitely take a listen to these boys if I were you. They've been spinning non-stop in my CD player for the last week, and I only got their album a week ago.

The Many Faces of Modern Folk

Folk music is an interesting thing. You can trace it through the years; from campfire songs shared by tribes to ballads sung for kings. It stretches far and wide in music, influencing every genre imaginable and taking the form of musical poetry. Folk is the music of the storyteller, and the lyrics are generally more important than the instrumentals. Folk is very diverse, all of the songs take a similar form, but similarity is relative. Flowers are similar, but no one would say that an orchid and a dandelion are basically the same thing. Take a listen to the stories these musicians have to tell, they are the stories of our times and they are as similar to each other as orchids and dandelions.


“Fidelity” by Regina Spektor

From Regina’s latest masterpiece “Begin to Hope,” the melody is deceivingly simple. Lyrically, this song is about heartbreak, it’s about trying to hide yourself in music, trying to protect yourself, and failing miserably. In the event of real-life heartbreak, Regina’s voice is really all the music you need and her lyrics are comforting and genuine. Regina Spektor knows where you’re coming from.

“Moon Over the Freeway” by the Ditty Bops

Their ridiculously catchy music sounds like something that could’ve been played on the radio in the ‘40s, or earlier. Their new album is an escape from modern living. This song is extremely lighthearted, and although it may sometimes feel more like swing than folk it is so evocative of an era and a certain front porch feeling, that it pulls you into a different time and place, telling you a story.

“Weather Report” by Bright Eyes

It’s always a story you hear when Conor Oberst sings. I hate to commit musical sacrilege, but his lyrics in “Weather Report” remind me of Bob Dylan. It’s not just an overall revelatory story, it’s a story that shows you something about yourself, or about your culture, or about your world in every line. For example:

“And the time clocks keep waving their hands
Doin all that they can
To get our attention
But the days fly away down a clean interstate
I’m staring drunk at a map...”

It’s sad, funny, and true. How do we value our time? And, even when we’ve been told “time is of the essence” do we listen? It’s one small part of a song that can tell you a lot if you take the time to listen to the lyrics.

“Lullaby” by Jack Johnson & Matt Costa

From the most amazing “Curious George” soundtrack, Jack and Matt sing a lullaby. My favorite part of Elliott Smith’s music, will always be his ability to make the listener relax and let down their guard. Mr. Smith also crafted, beautiful and sometimes unbearably sad music. What Jack Johnson does is similar, but different. Johnson creates a song, like a lullaby, that lulls you into relaxation, then he peppers your daydreams with “Banana Pancakes” and “Constellations.” It’s really beautiful, and the fact that he can celebrate happiness and truth through folk music, easily sets him apart from his contemporaries.

The Innovators

In our computerized world, technology changes rapidly. Ten years ago, everyone used VHS tapes and CDs which have now gone the way of the 8-track, cassette tape, and vinyl record. The internet generation’s MP3s have created controversy in the music business. The industry first struck back by causing the fall of the giant free file-sharing services. “The innovators” who saw the potential for instant music access turned file-sharing into file-downloading, and the legal availability of instant access has recently caused multiple large music chain stores to shut their doors (as well as the small independents that are rarely mentioned.) The other reason these music superstores have fallen is that the freewheeling facade that has been the “face” of the music industry since the mid 20th century was finally destroyed. There is absolutely nothing “freewheeling” about rich men suing kids for stealing music, and many people just don’t feel comfortable buying music from “the man.” Unfortunately, people don’t seem to understand that the music business is a business. When iTunes has a total stranglehold on the market, then we’ll see who’s the new “man.”


Personally, I was an early adopter of legal downloading services and I understand the charm of immediate access and availability. You can log into iTunes and buy an album as soon as it’s available, and there is no possibility of it being sold out. You can also preview all of the tracks on the album, which is a giant step up from deciding to buy a CD based on the cover art. In my opinion though, in gaining immediate musical gratification, you lose some of the art. I still buy actual hardcopy CDs much more often than I download CDs, and the reason for this is that I miss the tangible object when I download. Besides just listening to a CD, I like to read the lyrics and thank yous from the band, and pour over the artwork. Maybe I’m old-fashioned, but I enjoy having a real case for my CDs, not a piece of computer paper folded into an envelope with poorly drawn hearts on the cover. I also like the idea of buying CDs at artist’s shows, where you can actually talk to the people who get your money. Despite the numerous reasons for buying hardcopy CDs, now that people have embraced the idea of downloading, there’s really no going back. Instant gratification is the catch-phrase of my generation, and iTunes has packaged that in a very attractive and sleek way.


Yet, new innovators are always on the horizon, and the innovators in this case are the artists themselves. Harvey Danger, the band best known for their neurotic hit “Flagpole Sitta” has released their latest album “Little By Little” in stores and online, but not in the usual way. To get their music out in the world, Harvey Danger offers their latest album as a completely free download on their website, but also gives the music-lover a chance to purchase their album through their online store. The “physical version” includes a bonus disk and there are different level packages that include t-shirts, stickers, and buttons. In this way, Harvey Danger is giving their fans immediate access to excellent music and the ability to buy their CD straight from the source. You can read Harvey Danger’s well-written reasons for making their new CD free on the Harvey Danger website: http://www.harveydanger.com/press/why.php


Another extremely talented and innovative band has taken the reigns with its musical freedom, and this band’s name is Lucero. With their new CD “Rebels, Rogues & Sworn Brothers”, Lucero has been advertising a promo-special where you can buy a hard copy of their new CD through their website and receive an instant digital download. The cost of the CD is only slightly more than a download from iTunes, and you receive immediate access to very good music, a CD in the mail, some rad pins, and the good feeling you get when you do something worthwhile.


It’s always worthwhile to support great music, especially when you can cut out the middlemen who make the music less of an art. There is nothing wrong with making money from music if you’re distributing a good product and not taking advantage of people, and Harvey Danger and Lucero have enough faith in their product that they are willing to take chances. This is what innovators do, and, in my opinion, these artists are the next innovators in the flailing music business.

We Got the Beats

We music connoisseurs like to think that we’re always discerning when it comes to our musical choices, but loud music and the need to dance sometimes override our best efforts. We’ve all been in that position where our “closet music” starts playing on the radio and we just have to turn it up. Many of us have also been in a situation where a member of an older generation questions the propriety of a beat or lyric. Yet, despite the belief of much of the population over twenty, not all hip-hop is composed of breakneck beats and bad-ass lyrics (not that those songs aren’t fun too!) Like any musical genre, hip-hop has gone through many transitions and survived the power of many sub-genres. The most popular artists aren’t necessarily the best or the most interesting, but sometimes their music is fun. Like all music, hip-hop has a huge number of artists doing different things, and plenty of hip-hop music is worth listening to for more than just beats. The following artists are definitely worth your time:

Edan from Boston is a master of flow and sound. His music and lyrics are interesting, and they work well together, unlike some hip-hop music where the music and lyrics either battle for superiority or are both less than interesting. Beauty & The Beat showcases Edan’s rhythmic and lyrical prowess.

Lupe Fiasco is the skateboarding rapper of 2006, complete with a punk-rock name. Despite the fact that “Kick, Push”, the first single, talks about being a rebel on a board it showcases smooth horns more reminiscent of late-night jazz than ska. The rest of his album, Food & Liquor, is equally smooth with more R&B and neo-soul influences than hip-hop. Lupe Fiasco remains a rapper throughout the album, but keeps his hard edges smooth with an R&B sound.

Delinquent Habits make Latin rap that sounds very different from Daddy Yankee. The band rarely raps in Spanish for a whole song, yet their sound is very “south of the border.” Their music includes horns, guitars, drums, and the occasional well-crafted beat, and is reminiscent of laid back Ozomatli. Delinquent Habits’ lyrics are usually about partying, and their thick beats are perfect for a party soundtrack.

Psalm One is a female MC who celebrates her femininity. It’s a rare artist who understands that being female just comes down to being yourself, and equally rare are female rappers who feel comfortable dropping a rhyme without putting on a show. Psalm One seems both comfortable with herself and with her rhymes. She throws around tricky lyrics with power, and she throws them over interesting beats.

Atmosphere is the political rapper in this bunch. He can drop heavy lyrics over mad beats, like a hardcore kid can scream over shredded guitars. Besides his amazing flow, Atmosphere writes lyrics that mean something. He discusses hip-hop culture (“Trying to Find a Balance,”) life’s disappointments (“Pour Me Another,”) and just trying to make it (“The Arrival.”) Like every artist listed here, Atmosphere has a distinct sound that separates him from the popular rap crew. Atmosphere has a very even and exceptional sound, easily throwing around difficult lyrics over tight music.

...You Say You Want A Revolution

Some of the most powerful and empowering music discusses the idea of being trapped in your own or others' preconceived notions. Sociologically speaking, we live in a society that imposes boundaries and restrictions and some great music speaks of bumping against, and in some cases bursting through those barriers. Revolution can be both internal and external, and is more celebrated in contemporary music than you may realize. When you feel trapped, listen to the music and it will free your mind.

“To Have and Have Not” by Billy Bragg

This song addresses the separation of classes and the disconnect between people that results from this separation. The people who can “...afford to pick and choose...” have a greater advantage in the working world and do not always understand that everyone does not have this advantage. The most touching lyric: “...just because you’re better than me, doesn’t mean I’m lazy. Just because you’re going forward, doesn’t mean I’m going backwards.”

“Start Now” by Rancid

A call for unity to end war and violence. The chorus is clear, “I’m not looking for a fight now, and I don’t care who’s wrong or right now, so release the dove into flight now, so we can start right now...” Let’s get past our differing ideologies and work together for the common good.

“Video” by India Arie

Clearly about female body image and the struggles women go through to create a certain outer appearance or to combat that compulsion. India sings the age old question “Am I less of a lady if I don’t wear pantyhose?” and then counters with the thought that so many strong women share; “...my mama said a lady ain’t what she wears, but what she knows.” Beautiful, empowering, and spiritual.

“Waiting On the World to Change” by John Mayer

A song addressing our personal ability to change the world. John Mayer questions the apathetic title that has been placed on his generation, “ Me and all my friends we're all misunderstood. They say we stand for nothing. There's no way we ever could. Now we see everything is going wrong with the world and those who lead it. We just feel like we don't have the means to rise above and beat it.” He’s waiting, but when his time comes he’s ready to change the world.

“Won’t Get Fooled Again” by The Who

This song speaks of revolution, but takes a different view of the resulting change. The entire song is summed up in the last two lines, “Meet the new boss, same as the old boss.”

“Smells Like Teen Spirit” by Nirvana

Filled with teenage angst and sung in the mumbling tones of adolescence, Kurt Cobain uses the internal unease of that “most wonderful time of your life” as a metaphor for the feeling of not quite fitting the mold. This song truly showcases all of Cobain’s genius taking you into that world of boredom, apathy, and uncomfortable physical changes that make teenagers such a misunderstood creature. Cobain heightens this idea of differences by naming four odd things, things that seem very out of place, “a mulatto, an albino, a mosquito, my libido.”

“La Vie Boheme Pts. 1 and 2” by the Cast of RENT

A true celebration of differences and a grocery list of eclectic traits and nonconformist attitudes. “To going against the grain, going insane, going mad...to being an us for once, instead of a them!”

“Who’s Gonna Take the Weight?” by Gang Starr

Besides having impeccable flow, Gang Starr’s lyrics have a point. Another call for unity, but this time it’s especially directed towards the African American community; “... and just imagine if each one is teachin' one we'll come together so that we become a strong force, then we can stay on course. Find your direction through introspection and for my people out there I got a question, can we be the sole controllers of our fate? Now who's gonna take the weight?”

“Soar” by Christina Aguilera

Christina Aguilera belts a song about self-acceptance, independence, and strength in the face of major conformism. Again, the high school experience is the perfect setting to showcase differences, since changes and differences are always on center stage. The overwhelming moral is to believe in yourself, even if no one else does, because you’re the one that matters.

A Few of My Favorite Things, Vol. 2

The hills are alive with the sound of music, and I happen to be a big fan of musicals. I don’t understand what the big deal is anyway, in some ways showtunes are just the anti-hardcore; concise and understandable lyrics to beautiful music. Showtunes’ very structure is what makes them perfect for soundtracks, they’re music that furthers the story and entertains.


“Beauty & the Beast (Soundtrack to the Disney Motion Picture)” Composed by Alan Menken

Besides being just about the best animated Disney movie ever - obviously I’m quite a fan! - the music is also just amazing! In the style of the best Broadway shows, the music enchants while the lyrics entertain and all is made perfectly easy to understand so you can sing along, if you wish. The ensemble tunes are some of the best, while of course, Angela Lansbury outdoes herself with the big love-story number “Beauty & the Beast.” Personally, I enjoy Angela Lansbury’s version of the title-track much more than Celine Dion and Peabo Bryson’s, but at the end of the soundtrack even that unneeded cover is added on for good measure.



“RENT (Original Motion Picture Soundtrack)” Composed by Jonathan Larson

I went to see this movie last year around Christmas time, and at first I thought ‘Wow, this is different.” For the next few weeks until Christmas I found myself humming the songs, even breaking into full-out vocals at times. I finally got the soundtrack and couldn’t get it out of my CD player for months, in fact I just started listening to it again after a month-long hiatus and the music is still amazing. The best thing about this musical is that the sentiment of the songs does not become dated, even if the constant references to AIDS get a little over the top. Also, the score is one of those rock scores that holds up. The music is layered and well-played and doesn’t sound like something out of a bad ‘80s movie, and the vocals never fail to bring tears to my eyes. It’s funny how you can fail to notice great music when it’s right under your ears.



“Lord of the Rings: The Return of the King” Composed by Howard Shore

The best of the three movies, if only because of its emotionally cathartic ending, “The Return of the King” also has the best score. I’m assuming that it was Peter Jackson’s decision to leave the overlong “battle songs” that plagued Tolkien’s books out of the movies, but I applaud Howard Shore for backing up his decision. These soundtracks could have gone very wrong if we suddenly had Legolas and Gimli breaking into songs about slaying Orcs, but instead we have a very insidious and subtle score. The music really creeps up on you when you listen, sometimes everything sounds peachy and the heroes will save the day, and then slowly that doubt creeps in and you remember Golem and Sauron. Howard Shore had to really understand the feeling of the movie and have the ability to translate that feeling into a coherent score to create this beautiful music, and I think he pulled it off extremely well.



“Fiddler on the Roof” Composed by Jerry Bock with Lyrics by Sheldon Harnick

One of my favorite musicals because of its exceptional use of the emotional bond between parents and their children. Tevye is a truly good man trying to care for his family in a time of extreme change. Out of this story line we get such gems as “Tradition”, “Sunrise, Sunset”, “Anatevka”, and my personal favorite “Far From the Home I Love.” It is an underrated masterpiece with amazing music.



“The Sound of Music” Composed by Rodgers & Hammerstein

Julie Andrews’ voice is amazing and anything she sings is beautiful, but this musical is really perfect for her voice. The story line is most definitely Rodgers & Hammerstein, a fairy tale worthy of Disney, but a musical or movie for that matter does not need an unhappy ending to be worth viewing. Sometimes it’s all right to like something because the music is good and the story is entertaining. I’m not endorsing the new Paris Hilton album, but I do think it’s a shame that more people can’t enjoy a good musical just because it’s fun. The story isn’t all rainbows and waterfalls anyway, I mean the Nazis are involved, and some of the music strikes a deeper chord. This isn’t a shallow musical, but it is a very good fairy tale.